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Ram Investment Group agrees 3D advertising technology joint venture

(Philip Lelyveld comment: A small but interesting deal)

Ram Investment Group (LON:RAM), the outdoor advertising group, has signed a joint venture agreement that will see it begin marketing 3D advertising screens to shopping malls. The group’s RAM Vision arm has struck a deal with Free Ray UK Ltd, a subsidiary of Free Ray FZ LLC, the sole distributer and business partner of Tridelity Display Solutions Gmbh. The joint venture covers leading edge 3D flat screen technology that can be viewed without the need of special glasses.

Free Ray, which is based in Dubai, will invest £1.5m into capital expenditure as part of the joint venture with RAM Vision. The arrangement comprises individual exclusivity terms on each of RAM Vision’s contracted UK shopping malls scheduled for the 3D roll out. The joint venture will market under the brand name RAM3D. The RAM Investment Group share price remained unmoved at 4.25p.

Ram Vision is projecting gross sales revenues for the joint venture from 3D advertising sales to exceed £600,000 in the first year of operations with the expectation that this new prospective profit centre will not impair the advertising revenues it currently generates with 2D advertising. Free Way, jointly with Tridelity, has already successfully fulfilled major advertising projects in Dubai, Abu Dhabi, Turkey, Egypt, Tunis, Kuwait and Lebanon for major international brands.

Tim Baldwin, the executive chairman of RAM, said: “We are very pleased about the joint venture. Firstly because it will give us incremental revenue without the costs of deploying capital or material additional operating expense. Secondly because it demonstrates to our property partners that we are at the leading edge of new technology to enhance the Mall environment and thirdly because 3D is likely to bring us in touch with a greater range and depth of premier international brands.”

Original post here: http://www.stockopedia.co.uk/content/ram-investment-group-agrees-3d-technology-joint-venture-53218/

Penthouse Studios to Release First 3D Movie in February

Penthouse Studios will roll out its first 3D release in late February with the debut of “Real Porn Stars of Chatsworth” starring 2011 Penthouse Pet of the Year Nikki Benz.

The company said the high-definition Blu-ray 3D movie represents the latest in 3D technological advancements and also officially signals the company’s aggressive move into 3D content both on DVD and online. Viewers will be able to experience the full 3D effects with a 3D HDTV, Blu-ray player and 3D glasses. The day-and-date release of “Real Porn Stars of Chatsworth” will also include the standard-def disc in the same package, and will be distributed by Penthouse’s new exclusive distributor, Exile Distribution.

Kelly Holland, president of Penthouse Studios, said she and her team have been researching 3D technology for the past two years, meeting with major players in Silicon Valley and talking to various technology providers about all aspects of the 3D experience.

She revealed that Penthouse switched to shooting all its content in 3D in August, and has already completed 10 full 3D movies and 95 internet scenes for Penthouse.com. And in March, the company is preparing for another milestone — the launch of the first Penthouse 3D cable channel in the U.S.

“It’s very cool that Penthouse is stepping up to the plate and really taking advantage of the new technology. It’s groundbreaking,” Holland said Thursday during a media conference in which she announced the company’s 3D initiatives. She emphasized that 3D is not the future, rather “3D is now.”

Paul Formanek of SPF Transfer, the company that authors the Penthouse 3D discs, said the new technology “gives you the impression you can raise your hand up and you’re in the picture.”

“It’s almost like a bizarre out-of-body experience,” Formanek said.

“This is not your father’s 3D,” said Howard Levine, who launched Exile Distribution earlier this month and signed Penthouse as one of its first clients. “It’s really technically advanced. This is what they’re using in theatres and in the new DVDs like ‘Resident Evil After Life.’”

Levine said the Penthouse 3D movies will have a “competitive price,” and will be packaged in clear cases to differentiate them from regular Blu-ray movies.

Both Levine and Holland said today’s porn viewer is more savvy and intelligent than ever with what they want to watch and how.

“They’re granular with what they look at,” Holland said. “They know exactly what they want. We’ve had to adopt this sensibility.”

With that, Holland noted there are numerous intricacies with shooting 3D; every shot is different and it’s important to not compromise the heat of a scene.

“We don’t want to let technology get in the way of the experience. You still have to shoot a XXX or softcore movie and give viewers the traditional user experience they’ve come to know. Movies cannot be dictated by technology,” she said. “We make conscious choices about how 3D to make it.”

Levine and Holland go back almost 20 years, so their latest collaboration was a natural. She said she is already working with the veteran sales pro on changing the look and feel of the Penthouse box covers, among other things.

“In the next 30 days you’re going to see a newer, crisper, cleaner look to the box covers with more detailed photos on the back showing who’s doing what to who with more hardcore pictures,” Holland said.

Penthouse, which already has a strong European presence, won 2010 Venus awards for Company of the Year and HD Channel of the Year in October in Berlin.

Marc Bell, CEO of FriendFinder Networks and Penthouse, said the strategic move into 3D represents a “global” branding initiative that underscores the company’s desire to embrace the most advanced technologies available.

“We’re very confident about this,” Bell said. “We’re committed to it and we’re excited about it.”

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COMMENT

Hi Phil,

Thank you for the write up regarding our 3D filming.  I’ve been asked to let you know that our 3D channel is actually launching in Europe not the US.

Once again, thank you,

Mandie St. Cyr-Webber

Penthouse Studios, a division of

FriendFinder Networks, Inc.

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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