News Stories

Interactive Online Platform for would be Filmmakers

iVoiceNetwork announced the completion of its alpha development phase.  This is an interesting new platform for interactive story construction in a social media way.

The idea is to redefine traditional broadcast entertainment by taking the concepts behind social media and making the content more compelling and entertaining.

According to the company, the system is based on a model called Multi-Character, Non-Linear Scenario Driven Narrative.  The platform is “genre, content and language agnostic, enabling massive scale and character-story connectivity.”

According to Guy Morris, company founder and CEO: “iVoiceNetwork has developed the first platform that fully captures the interactive nature of the Internet, allowing fans to become part of the show by creating unique user characters, connecting through role-based social groups and directing and starring in their own stories.”

They are looking for content partners with studios and production companies for a late 2010 launch.  You can check out a slideshow on the iVoiceNetwork site to learn more about how the concept works.

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Sensio Goes Plug & Play with THX

Imagine how inconvenient it would be if you had to flip a switch to watch a TV program in HD, or color.  That’s a requirement of some of the first generation 3D sets.  To get around that, 3D outfit Sensio is bringing plug-and-play to home 3D.  The Montreal-based firm has partnered with THX Ltd. to use the THX Media Director to facilitate 3D auto-detection in its consumer products.  Though not as well branded in the States as some other 3D companies, Sensio has carved a niche for itself in that its codec is output agnostic.

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Once formatted, Sensio 3D content can be streamed, broadcast or sent over cable or satellite and burned to DVD.  On the receiving end, the signal can be output to any format, from standard flatscreen to active shutter 1080p HD 3D (and every 3D format in between).  In fact, Sensio has cast such a broad net in the patent department that there are murmurs here at CES of an impending tussle between the 10-year-old company and another well-known firm over, ummm…let’s just say “boundary” issues.

sensio-3dAll that plus a swelling interest in cost-effective real-time 2D-to-3D conversion of TV content – which Sensio is also capable of thanks to a 2006 licensing deal with JVC – could prove a game-changer for the little Canadian company that already numbers Disney, ESPN and Universal among its clients.  On the hardware side, Sensio also announced here at CES that it has landed new customers in ViewSonic and Vizio, which will incorporate Sensio 3D into its HD line of TVs, including the 72” True LED XVT Pro 720SV, shipping in August.

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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