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NAB Virtual Cloud Conference Day 2

PresentationsEvents and DetailsOrganizationDesignationName
8:00-8:45Registration
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Conference WelcomeETCProject Cloud Erik Weaver
MAM/DAM's
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Keynote: Digital Asset Management in the Cloud: Lessons Learned from Miramax


Abstract: Miramax is constantly seeking new and efficient ways to manage the large volume and rights formats of their digital assets and prepare for the future, this discussion will focus on cloud-based digital asset management in the Media & Entertainment industry. Specifically, the session will do a deep dive on Miramax's implementation of a SaaS digital rights management solution which efficiently manages their vast film library acquired from Disney. Miramax's VP of IT, will highlight lessons learned and some unexpected discoveries during the aggressive 90 day implementation window. As a result of implementing a robust asset management solution, Miramax was able to significantly increase revenues from $40M to $190, a 4- fold increase.
MiramaxVP ITDenise Evans
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Let customers elect where they live, eat and breathe: Build an Agnostic Cloud!


Abstract: Empower your Enterprise organization to capitalize on the opportunities and advantages of the Cloud. Technology departments should become your partner, enabler and true Cloud broker that delivers platform agnostic Cloud solutions that accelerate delivery, efficiency and innovation within the Enterprise. Creating a Cloud agnostic strategy today, provides flexibility and openness that will allow you to avoid vendor lock in, lower the total cost of ownership and reduce the risk of technology shifts.
TechnicolorVPDickerson Mark
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Making Broadcast MAMs More Like the Cloud


Abstract: This talk would describe the use of cloud-based self-service work spaces in broadcast workflows – including the problem of obtaining ready access to tens of TB of original programming, and having the ability to share that with any global partner both as proxies and as full-broadcast resolution content. The talk will review two different yet effective self-serve delivery model that allows business partners quick and easy access to original content, and the option to transcode it into the format of their choice.
AframeVP North American SalesDavid Frasco
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LUNA - Lessons in cloud based workflow: Universal & ETC


Abstract: LUNA, a short film produced by Universal/ETC cloud project, had the goal to establish the past, examine the current reality and determine benefits of cloud centralization. This talk will explore the out come from multiple points of view, including Studio perspective, Directors point of view then outline failures and successes of the project.
Digital Film TreeCTO Guillaume Aubchon
Lunch
Hybrid & Ecosystems
Click Here for VideoUsing Hybrid Cloud technology to manage on premise content across multiple locations


Abstract: Key challenges faced by content producers, owners and workflow users alike, include: Movement of thousands of media assets between teams across multiple locations, departments - this leads to issues with file naming, search and not to mention multiple versions. This presentation will provide an overview of "Hybrid Cloud" technology that effectively addresses these challenges.
PrimefocusCTO - AmericasChris Chen
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Exploring the Hybrid Cloud


Abstract: This session will explore the workings and benefits of a software based, on-premise/cloud hybrid media processing platform. A hybrid or private cloud solution allows core processing volume to run on a customer premise within a virtualized private cloud infrastructure like OpenStack, Joyent, VMWare etc. In this model the true benefit of cloud media processing, elastic capacity, is maintained. Because the on-premise capacity limits of private cloud are reached by job volume, the hybrid cloud bursts seamlessly to the public cloud environments with no disruption in workflow. This presentation will discuss the hybrid cloud in detail and cover its benefits to customers' workflow.
Encoding.comCEOJeff Malkin
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Media workflow powered by cloud-based platform


Abstract: To date, most large companies needing to support massive scale media workflows have been relying on custom developed digital media software solutions hosted via large in-house private data centers. Along with the maturation of the public cloud, a new generation of media platform services relying on IaaS will become a more technically viable and operationally sustainable alternative to in-house solutions. We’ll investigate the rationale behind the evolution towards cloud based media platforms, and the future of what these might become in the next 2 to 5 years.
Sony/MCSCTOBen Masek
ROI/cost savings
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ROI: How studios increase efficiency, reduce costs and improves quality of content


Abstract: For almost a decade 5th Kind has been working with Studios and Productions to create a holistic secure platform to streamline and
organize all the digital file and communication workflows throughout the production process. In this discussion we will explore the
challenges and solutions to a range of production workflows and how the unified platform can be used to deliver a high ROI with increased
efficiencies and help create better quality products.
5th KindCEOSteve Cronan
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Cost Advantages of Cloud Video


Abstract: Envivio will illustrate the ways in which using the cloud for video processing, storage and delivery will help service providers better manage their costs.
EnvivioCTOArnaud Perrier
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Metadata in the Cloud: Future Proofing Digital Revenue Streams Today


Abstract: How effective metadata management in the cloud can help a studio ensure that their IP is being effectively monetized across all channels, all geographies and at all times. This session will discuss how studios are leveraging cloud technologies to most effectively manage their metadata, streamline production and distribution workflow and maximize digital revenue generation.
FilmTrackCEOJason Kassin
OTT/Second Screen
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Shoot the Bird: Linear Broadcast Distribution on AWS


Abstract: Can traditional live linear content distribution models be effectively evolved from existing satellite communication networks to pure IP-based cloud-centric transit? In this session we will take a look at requirements that must be met to facilitate wide-scale distribution of content at low latency with high levels of availability, durability, reliability and throughput. We’ll look at best practices for high availability and resilience, take a deep dive into topics such as effective erasure correction and deterministic network topologies, factor in advantages around lower cost for compute and bandwidth when utilizing cloud-based infrastructure, and arrive at a reference architecture that can be used to drive B2B content distribution through the cloud at scale.
AWSPrinciple Solutions ArchitectUsman Shakeel
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Managing the New Content Supply Chain: Efficiently Reach and Monetize Audiences on all Screens


Abstract: New content supply chain has become increasingly more complex, as we move into the digital era with simplified, customizable workflow products, unifying legacy linear studio systems with digital content management and delivery across devices. This session will discuss the next evolution of cost-effective, powerful media-management solutions that combines the major components of a broadcast facility into a single workflow to launch and support fully automated and branded dynamic live stream channels, to all platforms, at a lower cost than a traditional broadcast infrastructure.
WorldnowChief Innovation OfficerRobert Forsyth
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Cloud Atlas: A movie or a distribution movement?


Abstract: How the Cloud is enabling the transition from the Classic Transactional VOD to Electronic Sell Through for MVPDs and OTT players alike. VUBIQUITY discusses launching a cloud based retail video service by demystifying the puzzle of costs vs timing, understanding the pace of consumer demand and reinventing the conditional access model.
VubiquityEVP Brendan Sullivan
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Leveraging Cloud to Build your OTT Channel


Abstract: Once you get the green light to go OTT and build a direct relationship with your consumer, how do you get it done? What are the best practices and what are the various components in a cloud-based OTT technology stack? How do you choose the right partners for ad network integration, storefront and user experience, lead gen and analytics, as well as production/distribution fundamentals such as encoding, video player and play out? Most importantly, how does all this technology fit together and who are the major players with both expertise and proven solutions? In this informative panel discussion you'll learn the essentials around integrating cloud into an OTT strategy around content, front end, distribution, and monetization opportunities.
HITS/MESAExe DirGuy Finley
8:00-9:30Cocktail reception - YouTube Studios LA

NAB Virtual Cloud Conference Day 1

Presentations Events and DetailsOrganizationDesignation Name
8:00-8:45Registration
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Conference WelcomeETCProject Cloud Erik Weaver
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Keynote: Faster, Better, Cheaper: Pick all Three!


Abstract: Pre-viz? Rendering? Post-processing? Transcoding? Media Archival? Online Distribution? On-Demand Playback? Today making a movie sounds a lot more like a development project for geeks than artwork for the silver screen.
GoogleGlobal Head, SolutionsMiles Ward
Post-Cloud
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It’s All “Production” Now


Abstract: A discussion on blurring the lines between Production and Post, creating a bi-coastal cloud workflow for an unscripted multi-camera television series. From file-based ingest, dailies / proxy trans-coding and cross country data-movement from set to post. Leveraging “off the shelf” technology in innovative ways, including uplink bandwidth aggregation, multi-format transcoding, point to point WAN data sync, hosted network storage, Avid Media Composer, Avid Unity ISIS, you name it- all to enable post to being prepping within hours of shooting.
Hula PostCTOJoshua Rizzo
Click Here for VideoAcquiring the production brain trust and the many assets created and placing them in the cloud


Abstract: Film production is equal to a busy hot kitchen with no true order of operations other than we will figure it out in post. Being able to capture the many moving parts onset into a central location such as the cloud will help the post team recreate what happened on the day to solve post problems and save time and at the same time giving the post team the needed materials and metadata in real time.
JoustCTOCraig Mumma
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Distributed high-quality image manipulation and review in a virtual collaborative environment


Abstract: Taking advantage of centralized processing and storage, new dispersed workflows are now possible. Colorfront's cloud initiative enables virtual world wide collaboration for high end motion picture and television production.
ColorfrontCTOBill Feightner
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Redefining the Complete Content Production and Management Model


Abstract: Panelists will discuss the gains realized through integration of the file system with new types of storage, including object-based storage optimized for media, and explain how better use of the cloud for media-centric workflows is supporting more fluid and efficient on-premises and globally dispersed production environments.
QuantumVP M&EAlex Grossman
Lunch
Transport
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On-Demand Production Infrastructure delivered Just In Time


Abstract: Today's productions increasingly demand the rapid provisioning and integration of core resources in order to support increasingly complex workflows across multiple partners. The integration of Workflow software to Infrastructure as a Service (IaaS) pools for compute, storage, and network is finally within reach with the advent of provisioning technologies like Software Defined Networking, API Abstraction, Orchestration and Transformation, and Network Function Virtualization (NFV). This track will discuss the evolution of the IaaS marketplace and the new business models that are cropping up as a result.
EquinixGlobal Solutions ArchitectShane Guthrie
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Global Media Exchange: Work of the ETC


Abstract: The network is critical as file sizes increase. We will talk about how the ETC Transport work stream is working to simplify networking, and create a Global Media Exchange. The effort includes ondemand SDN and contracts that are OPEX (on demand) as opposed to locked in long term agreements.
DolbyLead ETC Transport workstreamChristine Thomas
Security
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Driving rapid production workflows in a virtual cloud environment that puts security first for high value productions.


Abstract: While Silicon Valley start ups have been leveraging the virtual capabilities of the cloud for years, film and TV productions (essentially start ups that launch a single product and disband) are finding adoption harder because of workflow challenges presented by their "big data” video product and recent security incidents in the industry have only made it harder. But there is a way forward...
SohonetExecutive Director / ChairmanChuck Parker
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Hackers, Attack Anatomy & Security Trends


Abstract: Presented by the elite organization of white hat hackers most widely known for being first to break the iPhoneand the only security consulting firm engaged in the security team of USC’s Project Cloud initiative, this session will analyze the anatomies of real world attacks against high profile systems. It will extract lessons from these attack anatomies to provide a framework to account for these modern attackers, articulate context to the Media & Entertainment industry, and supply attendees with key takeaways, including immediately actionable guidance.
ISEExecutive PartnerTed Harrington
Work Flows VFX
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VFX in the Cloud


Abstract: You've heard that the cloud offers amazing scalability and can compliment your existing render farm. Come see our approaches to leveraging the cloud's burst capacity to maximize artist productivity. Learn how others have succeeded in making the cloud part of their competitive advantage.
GoogleCloud Solutions ArchitectJeff Kember
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Pop Up Render Farm


Abstract: The logistics of rendering in a VFX environment can be incredibly complex; add cloud-based cores into the mix and they become even more complex. Different render applications, simulation tools, assets and dependencies are driven by unique workflows tailored to the needs of the client; the artist; and the job at hand. Key to making cloud rendering successful, is to bring that incredibly scalable resource to a facility's unique and local pipeline. Learn how studios can seamlessly merge public cloud resources such as Google, Amazon, Azure, Rackspace and others to their internal farms, adding thousands of cores as if they were inside the studio, giving facilities the flexibility to work the way that suits them best.
Thinkbox SoftwareCEOChris Bond
Work Flows Sports
Click Here for VideoPowering Live Events at Scale with Cloud and Next Generation Sports Network


Abstract: Together with the premier features of Azure Media Services - notable live transcoding, CDN integration, telemetry, and a new suite of partners in the OVP and technology spaces – Azure Media Services are bringing scalable, reliable, and cost-effective premiere sports events to fans worldwide.
Microsoft/AzurePrincipal Program ManagerMartin Wahl
Click Here for VideoStreaming HD sports video content to second screens through the cloud


Abstract: As consumer demand for more content and coverage of sporting events continues to rise. By unleashing the power and scale of cloud video processing, sports broadcasters and content delivery networks can broadcast live events in radically new ways.
IBM/Aspera CEOMichelle Munson
Workflows 4K
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4K Media Workflows on AWS


Abstract: 4K video is fast setting the minimum bar for content capture, be it consumer, prosumer, professional, episodic or theatrical. This in turn is leading to more demanding infrastructure requirements for media production, management and distribution. Consumers now have a variety of viewing devices and expect an optimal viewing experience for all of them, regardless of screen size or bandwidth availability. Media companies need to deliver on that consumer expectation while at the same time optimizing for costs. They need to produce content for the highest quality viewing experience, but have the ability to deliver to a wide variety of quality levels. They need an infrastructure that scales automatically and just works, whether it is a full 4K production workflow, subsequent archive and content management, or a multi-device streaming. In addition to discussing the way in which an agile cloud infrastructure can meet the demands of a 4K workflow, this session will cover cutting edge technologies like remote application visualization and server-less workflow automation that can greatly help today's media companies in the race to serve their gadget savvy consumer.
AWSPrinciple Solutions ArchitectUsman Shakeel
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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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