News Stories

LastShotApps, 3D Slate for the iPad

 

3D Slate is the perfect companion for anyone shooting Stereoscopic 3D. It’s all you love about DSLR Slate, but with more options aimed specifically for people shooting Stereoscopic 3D who need to keep track of specific 3D camera data. We’ve also added notes, logs, log export options! Read thru for a complete description:

 

As a Universal App, 3D Slate runs natively on iPad, iPhone, and iPod Touch. Designed for all needs from student to hollywood, 3D Slate will be just as useful as the traditional film slate, if not more. “Slating” shots has become standard practice on set and helps streamline shot logging and post production. And with all the technicality involved in shooting stereo, its become imperative that you keep track of the camera setups you use during your shoots for post production.

 

3D Slate was born from our original app “DSLR Slate” with added extras aimed specifically for Stereographers or other people who are shooting Stereoscopic Video.

 

Along with a color chart and selectable running timecode, 3D Slate has all the traditional items for input such as Scene, Take, Framerate, Director, etc. 3D Slate provides unique items aimed specifically for stereographers shooting in 3D such as Interocular Distance, Convergence Distance, Distance to Subject, Distance to Foreground, Distance to Midground, Distance to Background, and other useful items such as Camera Height and Camera Angle. While being invaluable on set, these items also prove useful when shooting tests.

 

Since there are so many items to show the camera, we’ve come up with a new way of displaying the info. While in SLATE mode, you will see only the traditional items displayed. These items are Scene, Take, Memory Card (Roll), Director, Producer, Project, and Date. Those are the pieces of information that editors use most. Once the camera is rolling, click the START button and a quick burst will begin, flashing all items within a few seconds. This allows the camera to “see” each item for at least a few frames, ensuring that all of your information will be captured by the camera. The quick burst is then followed by a Visual/Audio sync and the traditional items will fade back in, ending the slating process.

 

Not only does the camera get to see all of this info but 3D Slate also includes a robust Notes & Logging system that helps you keep a paper trail of what you’ve rolled on. Every time you run the slate, a log entry is added to the Log on the main screen. Here you can email the log out as a Plain Text file or a CSV formatted spreadsheet for import into programs like Excel, Numbers, and more. When each slate finishes running, you have the option to simply make a note about the take when prompted and your note will automatically be added to the end of each Log Entry which means you’ll be able to see your notes in your Text File or CSV Spreadsheet once you’ve exported it. Once you’ve finished a day’s work, you can easily email yourself your 3D Slate Log and clear out the log for the next day.

 

 

NOTE: 1st and 2nd Gen iPhones & iPod Touches are officially unsupported. This is due to processor speed and memory limitations. The app will still run on these devices, but not at its optimal performance. If you are using a 1st or 2nd Gen iPhone or iPod Touch, be warned. The issues do not affect iPhone 3GS or later, and all iPads are supported.

Features

All you love from DSLR Slate with special features for Stereoscopic 3D:

 

  1. -Interocular distance
  2. -Convergence Distance
  3. -Distance to Subject
  4. -Distance to Foreground
  5. -Distance to Midground
  6. -Distance to Background

 

Also includes:

 

  1. -Camera Height
  2. -Camera Angle

 

3D Slate also includes a robust notes and logging system allowing you to add notes to takes and keep logs of all slates you run.  These logs can be emailed as Plain Text (.txt) and Spreadsheet (.csv) files.

See the webpage here: http://lastshotapps.com/LastShotApps/Apps/Entries/2011/4/1_3D_Slate.html

 

 

Wide angle lens for the Panasonic AG-3DA1 3D

 

Catalog product description]

ZUNOW

Zunow WDA-06P (WDA06P WDA 06P) kit lens for the Panasonic AG-3DA1 3D Camcorder. 30% wider angle of view. Thanks to this lens you can bring your working distance back up to 45 cm. And still have an amazing 3D picture.

£ 995.00+VAT
£1194.00(inc.VAT)
CATEGORY:
3D Stereoscopic
CONDITION:
NEW
AVAILABILITY:
ESTIMATED 3-4 Days

 

Zunow WDA-06P (WDA06P WDA 06P kit lens for the Panasonic AG-3DA1 3D Camcorder. 30% wider angle of view. Thanks to this lens you can bring your working distance back up to 45 cm. And still have an amazing 3D picture.

Zunow is the very first in the world to create an set of wide conversion lenses for the Panasonic AG 3DA1. The WDA-06P kit contains 2 synchronized lenses from the highest quality of glass.

The WDA-06P kit has been designed to solve the distance issue the camera has. The Panasonic AG 3DA1 normally has an working distance of 2 to 3 meters. Thanks to this lens you can bring your working distance back up to 45 cm. And still have an amazing 3D picture.

See the original post here: http://www.3dbroadcastsales.com/description.php?model=1230

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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