News Stories

Upcoming 3D Release Schedule (Box Office Mojo)

 

 

[From Box Office Mojo]

Priest SGem 5/13/11
Pirates of the Caribbean: On Stranger Tides BV 5/20/11
Kung Fu Panda 2 P/DW 5/26/11
Green Lantern (in 3D) WB 6/17/11
Cars 2 BV 6/24/11
Harry Potter and the Deathly Hallows (Part Two in 3D) WB 7/15/11
Captain America: The First Avenger Par. 7/22/11
The Smurfs (in 3D) Sony 7/29/11
Glee Live! 3D! Fox 8/12/11
Final Destination 5 WB (NL) 8/12/11
Fright Night (in 3-D) BV 8/19/11
Spy Kids 4: All the Time in the World (in 3-D) Wein. 8/19/11
Shark Night 3D Rela. 9/2/11
Dolphin Tale 3D WB 9/23/11
The Three Musketeers (2011) Sum. 10/14/11
Puss in Boots P/DW 11/4/11
A Very Harold & Kumar 3D Christmas WB 11/4/11
Happy Feet 2 in 3D WB 11/18/11
Hugo Cabret (in 3D) Par. 11/23/11
Piranha 3DD W/Dim. 11/23/11
Arthur Christmas (in 3D) Sony 11/23/11
Alvin and the Chipmunks: Chipwrecked Fox 12/16/11
The Adventures of Tintin: The Secret of the Unicorn (in 3D) Par. 12/23/11
The Darkest Hour Sum. 12/23/11
Stretch Armstrong Uni. 2012
Underworld 4 (3D) SGem 1/20/12
Journey 2: The Mysterious Island WB 1/27/12
Ghost Rider 2 (3D) Sony 2/17/12
Dr. Seuss’ The Lorax Uni. 3/2/12
Hansel and Gretel: Witch Hunters Par. 3/2/12
John Carter of Mars BV 3/9/12
Clash of the Titans 2 WB 3/30/12
Madagascar 3 P/DW 6/8/12
Prometheus Fox 6/8/12
Jack the Giant Killer WB (NL) 6/15/12
Brave BV 6/22/12
Abraham Lincoln: Vampire Hunter Fox 6/22/12
The Amazing Spider-Man Sony 7/3/12
Ice Age: Continental Drift (in 3-D) (tentative title) Fox 7/13/12
ParaNorman Focus 8/17/12
Resident Evil 5 SGem 9/14/12
Hotel Transylvania (in 3D) Sony 9/21/12
Frankenweenie BV 10/5/12
Reboot Ralph BV 11/2/12
47 Ronin Uni. 11/21/12
Rise of the Guardians P/DW 11/21/12
Life of Pi Fox 12/14/12
The Croods P/DW 3/22/13
Monsters University BV 6/21/13
The Cabin in the Woods (in 3D) MGM TBD
Truckers (working title) P/DW TBD
Super Secret Ghost Project (untitled as of yet) P/DW TBD
Friday the 13th Part 2 in 3D WB TBD

See the original post here;  http://www.boxofficemojo.com/genres/chart/?id=3d.htm

Gandalf Wears 3D Specs

[By Josh Winning, totalfilm.com]

Ian McKellen has posted online a snapshop of himself on the set of The Hobbit.

And it seems that Gandalf The Grey is a fan of 3D; in the behind the scenes pic, he’s wearing a very cool pair of 3D glasses.

Alright it’s all sort of a joke, seeing as The Hobbit is currently being shot in 3D, but it’s great to see McKellen back in the familiar grey beard as Middle Earth’s favourite sorcerer.

It’s especially comforting for Lord Of The Rings fans who were pulling their hair out for years over Hobbit’s long and tortured pre-production process.

Accompanying the image, McKellen posted: “The Hobbit is being filmed in 3D. Even wizards have to wear the glasses. Snapped by Peter Jackson in Wellington, 2011.”

Elsewhere in Hobbit land, Martin Freeman has just departed the film’s production for a scheduled hiatus, during which he’ll return to England for filming of BBC TV series Sherlock. Writes McKellen on his blog:

“Martin Freeman has left The Hobbit. This is not another April Fool, just a May Fact.

“Before signing as Bilbo, Martin had agreed to make three 90-minute TV films in London, again playing Dr Watson to Benedict Cumberbatch’s Sherlock Holmes.

“No worries: he’ll be back in Middle Earth after our first hiatus, during which Peter Jackson will have spare time to edit the scenes already completed.”

See the original post here:  http://www.totalfilm.com/news/first-shot-of-ian-mckellen-as-gandalf-in-the-hobbit

< PREVIOUS ARTICLES NEXT ARTICLES >

Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

Oops, something went wrong.