News Stories

Sharp May Launch 4K Sets for Consumers in 2012

[Studio Daily]

With No 4K Content Available, Vendors Stress Upconversion Technology

With the CEATEC Japan trade show taking place next week, Sharp started ramping up its campaign to introduce 4K consumer TV sets in 2012. The company will exhibit an LCD TV set with a display that promises four times the resolution of current HD panels — which suggests a screen resolution of 3840×2160. That’s about 8.3 million pixels, which falls a little short of true 4K in the production and post-production sense, but is close enough for marketing purposes.  …

Panasonic will be at the show, too, pushing hard at 3D — VIERA televisions, DIGA Blu-ray players and recorders, and a LUMIX twin-lens 3D camera. And Toshiba will likely be promoting its recently unveiled glasses-free displays, which we recently reported on. No word on what Sony will be showing in the video realm; its recently unveiled Tablet S will likely have a strong presence.

Read the full post here: http://www.studiodaily.com/main/news/headlines/Sharp-May-Launch-4K-Sets-for-Consumers-in-2012_13479.html

Getting machines to watch 3D for you

[DVB Europe]

How can 3D television signals be analysed automatically to provide quality of broadcast service? Mike Knee, consultant engineer, research & development at Snell (pictured) is working on the answer, and provides a short overview of his work here.  …

Manual monitoring of 3D is more difficult than 2D because operators need to wear glasses or accept limitations of autostereoscopic displays. So there is a burgeoning interest in automatic monitoring of 3DTV.  In this article we look at how various aspects of 3D television signals can be analysed.

Format Detection  …

Depth or Disparity Analysis  …

Left-Right Swap Detection  …

2D to 3D Conversion Detection  …

Read the full story here: http://www.tvbeurope.com/newsletter-3dmasters-content/full/getting-machines-to-watch-3d-for-you

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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