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3D technology becomes mainstream at CES 2012

[Screen Digest]

Based on this year’s International CES, 3D is no longer the headliner technology that it was a year ago. This does not mean that the industry has given up on 3D, but rather that 3D is now, as predicted, a standard feature of high-end home entertainment products. Both Samsung and LG separately said that over half of their respective 3D screen models in 2012 support 3D, while Panasonic claimed that for new models announced in 2012, 93 per cent of plasma displays, 40 per cent of LCD TVs and four out of six new Blu-ray players are 3D capable. On the content side, an increasing number of new blockbusters movies are now filmed in 3D, screened in 3D theatres and will be released on BD3D for home video audience. Now it is up to the marketing teams to try to convince consumers that the technology is worth investing in.

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Sony ups reliance on LG for LCD screens

[zdnet asia]

Japanese electronics giant Sony has increased its dependence on liquid crystal display (LCD) screens from Korean company LG, following a split from a previous partnership with Samsung Electronics in October last year.

LG Display is shipping more film-based 3D screens to Sony which are used in the latter’s Bravia television sets, LG CFO Jeong Ho-young told The Korean Times in a report Tuesday. The LG-Sony collaboration comes as the penetration rate of LG’s film-based 3D panels is projected to grow by more than 50 percent, the report said.

It added that the partnership indicated Sony’s switch from relying on Samsung, and its battery-powered 3D technology, to LG which is pushing its cheaper film-based 3D technology, undercutting its Korean rival Samsung.

Sony terminated its previous LCD joint venture with Samsung in a bid to boost its loss-making TV business, as prices of LCDs dropped due to Japan’s move to digital terrestrial broadcast which stifled demand for TV sets. Sony sold back its stake to Samsung in October last year, ending the partnership. …

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Studio Technology Leaders Dinner 2017

The Entertainment Technology Center at the University of Southern California held its 2017 Studio Technology Leaders Dinner at NeueHouse in Hollywood. Sponsored by Western Digital, HGST and Equinix, the event honored former Sony Pictures CTO Spencer Stephens with the Bob Lambert Technology Leadership Award. The evening featured a panel of studio execs discussing new directions in film production, and a screening of “Wonder Buffalo,” the third R&D short produced under the auspices of ETC@USC’s Project Cloud to explore and test next-generation production processes. 

“Wonder Buffalo,” a coming-of-age story, was made possible through ETC’s 2016 Technology Award to filmmaker Christine Berg, who wrote the script with Simon Shterenberg.

The duo developed the project at the Writers Guild Foundation’s Veterans Writing Project, with the support of Disney/ABC Television Group, Warner Bros., NAGRA Kudelski Group, Technicolor, 8i, Realtra, Equinix, Sony Electronics, Amazon Web Services, the Creative Visions Foundation, The World Building Institute and the USC School of Cinematic Arts. It was also executive produced by Erik Weaver, HGST global director of M&E strategy and market development and former head of ETC’s Project Cloud.

ETC executive director Ken Williams noted that the short tested not only cloud production and post production technologies, but was also processed entirely in HDR, and tested volumetric capture, photogrammetry, ambianic sound and interactivity, via a room-scale virtual reality component. “Wonder Buffalo” was shown at Sundance and invited to SXSW.

Williams (below left) presented the Bob Lambert Technology Leadership award to Spencer Stephens (below right), whose early career involved data communications and photography.
ETC_Williams_Stephens_AwardStephens joined Disney TV Animation in 1997, as the company transitioned from traditional to digital production. He later joined Chris Cookson’s Technology Operations at Warner Bros., ultimately building the 4K production capability for Warner’s Motion Picture Imaging post house, which he then ran. He followed Cookson to Sony Pictures where he became CTO. He’s left Sony, but is not retired.

Walden Pond chief executive Wendy Aylsworth, a previous Bob Lambert Technology Leadership awardee; Sony Pictures Home Entertainment senior vice president Richard Berger; and former Sony Pictures Technology president Chris Cookson all spoke about Stephens’ achievements.

“If I’m in a crisis, I want Spencer by my side,” said Berger. “The scope of his knowledge knows no bounds.”

Stephens thanked Williams, the ETC board and Dean Elizabeth Daley of the USC School of Cinematic Arts for the award, and Cookson for hiring him twice. He also recalled his close connection with Lambert, who recommended him for the Disney job and then introduced him to Cookson.

Last, ETC hosted a panel of studio executives, including 20th Century Fox CTO Hanno Basse, Sony Pictures Entertainment CTO Don Eklund, Paramount Pictures EVP Anthony Guarino, Warner Bros. Technology EVP Justin Herz, Walt Disney Studios CTO Jamie Voris and Universal Pictures CTO Michael Wise. Moderated by Williams, the panel addressed pain points in the production process, significant opportunities opened up by technology, and how studios are handling change.

Panelists described the challenges of handling thousands of VFX shots from multiple cameras with differing resolutions, color spaces and formats, and putting it all together under increasingly tight deadlines. They noted that “Wonder Buffalo” has helped to shine a light on the issues, which also include the sheer size of files and massive number of deliverables. They also identified security as a “huge issue.”

New technologies have produced automated workflows and enhanced global creative collaboration, as well as significantly accelerated real-time rendering. Panelists noted that physical media isn’t going away any time soon, and that consumers are the big winners in an era in which there are so many platforms and distribution is not getting in the way of finding and enjoying content.

They also underlined that the studios have gone through many technology changes over the decades and that their resilience in managing change bodes well for the future, even as viewers redefine entertainment.

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