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PlayStation 3’s 3D Games Could Get 3DS-Style Slider (Kotaku)

7.23.2010

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July 21, 2010

In an experiment that could spread to other 3D video games on the PlayStation 3, the developers of November’s Sly Cooper compilation are considering including a controller-based slider that will adjust the depth of 3D displayed by the game.

The ability to manually adjust the depth of stereoscopic 3D graphics popping out from or receding into a TV screen would help people view the game more comfortably, a Sony games producer told Kotaku. He was showing me the Sly Collection at a holiday showcase for PS3 and PSP titles in New York yesterday. The game runs in stereoscopic 3D with the help of a special TV and glasses.

Gesturing at his PS3 DualShock controller and fiddling with the let analog stick, the producer said that the slider function might be mapped to a control stick, with a tilt adjusting the 3D depth.

All 3D technologies require users to position themselves within an ideal distance and viewing angle in front of a display screen in order to see their 3D effect. Standing in the right spot gets you 3D. Standing in the wrong spot might get you a headache and/or a doubled image.

Without a slider, the Sony producer said, a player of a 3D game might be left to having to stand or sit in a particular spot to play. With the slider, they might be able to pick their own spot, more or less, and then adjust the intensity of the 3D graphics to suit their position.

The idea of a manual slider for 3D video games is relatively new but already quite welcome. Nintendo demonstrated a similar feature last month at E3 on theirupcoming 3DS portable gaming platform. The 3DS’ slider was widely praised for allowing people to manually find a degree of 3D-ness in the system’s graphics that displayed properly and painlessly while the Nintendo device was held at a comfortable distance. The 3DS’ slider even allowed the 3D effect to be turned off.

The Sly Collection doesn’t have its slider yet — nor is it yet named, as Kotaku suggested, a “Slyder” — but the game would be a good test case for it. The game collection contains the three PlayStation 2 Sly Cooper games, all of them sort of mixes of a Mario 64-style platformer and heist capers, all of them rendered for the PS3 in optional 3D.

Sony is aggressively promoting 3D gaming on the PS3. All such 3D games require 3D-compatible TVs as well as glasses. Should the slider idea work, it could become a feature in other Sony-published PlayStation 3 games as well.

The 3D-enabled Sly Collection ships this November. If you don’t have a 3D TV, don’t worry. You can play the game in good old flat-TV 2D.

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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