News Stories

Freestyle to release 3D ‘Nutcracker’ on Nov. 24

8.31.2010

Freestyle Releasing, in association with Cinemarket Films, has acquired U.S. theatrical rights to Andrei Konchalovsky’s “The Nutcracker in 3D.” The film will open Nov. 24.

Elle Fanning, Nathan Lane and John Turturro star in the new interpretation of the story that inspired Tchaikovsky’s music for the classic ballet.

The story centers on 9-year-old Mary (Fanning), who is celebrating Christmas in Vienna and receives an enchanted nutcracker as a gift from her Uncle Albert (Lane). The nutcracker comes to life and takes Mary into his magical world of fairies, sugarplums and other toys. Ultimately, Mary must face off against the Rat King (Turturro) to save the Nutcracker and his kingdom.

To augment the original Tchaikovsky score, “The Lion King” lyricist Tim Rice has written eight new songs for the film, which was shot on location in Budapest, Hungary.

“Andrei’s inspired vision brings this classic Christmas tale to the screen in a way never before imagined,” Cinemarket CEO Peter Graves said.

Konchalovsky, the director of 1980s films “Runaway Train,” “Maria’s Lovers” and “Tango & Cash,” produced the film with Paul Lowin (“Rollin’ With the Nines”). Moritz Borman (“Terminator Salvation”) is an executive producer.

Freestyle recently released “The Dry Land,” “Bitch Slap” and “Motherhood.” The company next releases the musical “Bran Nue Dae” on Sept. 10.

By Jay A. Fernandez

Aug 30, 2010, 07:05 PM ET

Comment to site: RP comments:  For purists out there, Tim Rice added lyrics to 8 Tchaikovsky compositions for the film. He did not write “new” songs.

link to original post at The Hollywood Reporter

ETC@USC and Hollywood Studios Circulate a Draft of the Interoperable Master Format Specification Seeking Commentary

8.31.2010

LOS ANGELES, CA–(Marketwire – August 31, 2010) –  The Entertainment Technology Center @ USC (ETC@USC), www.etcenter.org, announced that it is seeking broad multi-industry feedback for the Interoperable Master Format (IMF) draft specification. Over the last year, the ETC@USC has hosted the IMF project seeking to develop a voluntary specification for an interoperable set of master files (and associated metadata) to enable the interchange and automated creation of downstream distribution packages within the motion picture and television production and post-production industries. The participants in the IMF project, which include Disney, Fox, NBC/Universal, Paramount, Sony Pictures Entertainment, and Warner Bros., will create a specification that can be proposed to SMPTE with the intention of initiating a formal standards-setting process. The goal is to create an interoperable, high-quality set of master files suitable for a variety of distribution packages that can be used to output an arbitrary number of versions for varying screen sizes, resolutions, bit rates, codecs, service providers, etc.

As part of the process of developing the specification, the participants in the IMF project are very interested in receiving commentary and feedback on the proposed specification and its contents from companies and individuals within the motion picture and television production and post-production industries, technology providers and manufacturers, and anyone else who may use or be affected by the IMF specifications under development. Many interested industry technology and solution providers have already provided feedback on the draft, and ETC is now looking to widen the net throughout the motion picture and television post-production and distribution industries.

“A meaningful and implementable IMF specification is essential to helping content creators and distributors take advantage of ever-increasing opportunities and platforms. We have reached a critical milestone in this project where we want and need input from a variety of potential adopters of the IMF format. This will allow us to refine the draft specification before it is turned over to SMPTE for potential standardization,” said David Wertheimer, CEO and Executive Director of the Entertainment Technology Center @ USC.

To download the the IMF Specification Draft
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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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