News Stories

Venice sets 3D jury

Japan’s Takashi Shimizu leads panel

VENICE — Japanese helmer Takashi Shimizu, best known for the “Ju-On” horror series and its English-language remake “The Grudge,” will head the jury of the Venice Film Festival’s Persol 3D award.

Shimizu will also be on the Lido with his “Shock Labyrinth 3D,” which will world preem out of competition.

Village Voice senior film critic Jim Hoberman and Italian experimental stereoscopic specialist David Zamagni round out the jury.

They will pick “the most creative” among 18 3D titles released in Italy over the past 12 months — including “Avatar,” “Alice in Wonderland” and “Toy Story 3D” — plus Hong Kong directorial duo Oxide and Danny Pang’s “The Child’s Eye,” which world preems in Venice.

Venice established the Persol 3D award last year in tandem with Italo sunglasses maker Persol.

Fest starts Wednesday and closes Sept. 11.

Aug 30, 2010,

By NICK VIVARELLI

link to original post at Variety

CTN Digital Selected by Barneys New York for the 3D Denim Mailer (Anaglyph)

CTN Digital, a fully interactive multi-media digital platform, announced that it had been selected by Barneys New York to create the first-ever 3D Denim Mailer. CTN Digital’s multimedia technology and design system created this mailer and to view the Barneys New York 3D Denim Delight please go to http://barneysmag.com.

Larry Promisel, VP of E-commerce, Barneys New York, said, “CTN Digital has transformed our 3D mailer into an innovative online shopping and entertainment experience that includes 3D, music, and video. Their leading edge technology is consistent with the expectations of our customers.”

Neal Gray, President & CEO of CTN Digital, said, “Barneys New York is taking the lead with an immersive and edgy 3D experience that will entertain and engage their customers like never before.”

Aug 30, 2010

link to original post at Market Saw

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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