The venue was an AMC Theatre in New York’s Time Square and the presentations were shown with Sony 4K digital projection on what, to my eyes, appeared to be a 40-foot or larger screen.
I started the day with the preconceived notion that shooting native stereoscopic 3D is always better that 2D-3D conversion and ended the day with a different point of view.
Barry Sandrew, founder of Legend 3D, whose company did the conversion of Tim Burton’s Alice in Wonderland, made the case that, whether you like conversion or not, it is and will likely remain a necessity if the 3D business is to thrive and grow. He called that idea, “essential to this industry.” He said there are advantages to the idea of experienced directors shooting in 2D: “It’s what they’re comfortable with.” There is no need for big rigs on set and conversion can save as much as thirty percent of the overall budget. Sandrew and others argued that more could be done in post in 3D than even in 2D.
Speaking in a different panel, James Stewart, 3D producer and director of Geneva Films, made a similar case. “The audience doesn’t care how you get there,” he said, and for those who are adamantly opposed to conversion he cautioned: “We’re about to see a lot of very bad live action natively shot 3D.”
Here in no particular order are other highlights from the event:
David Naranjo, Mitsubishi’s director of product development and Eric Anderson, vice president of content & product solutions for Samsung both made the case the television manufacturers will be offering stereoscopic 3D as simply one other feature available in TVs, much like picture-in-picture or Internet capability is now. If you want to watch a program in 3D your TV will have it. They both predicted that, at least in the near term, 3D will be an event-based concept in homes.
Echoing that idea, Pierre Routhier, Technicolor’s vice president of 3D strategy, said, “If you put everything ever made in stereoscopic 3D on television it would run for about two weeks.”
Speaking about glassless 3D for the home, Phil McKinney, vice president and chief technology officer for Hewlett-Packard, said there is a working 24-inch by 24-inch display in the lab today. The downside? The monitor currently requires a room full of electronics. There is more work to be done.
Dianne LaGuardia, Sony’s senior manager for digital cinema marketing, estimated there will be 21,000 3D screens in movie theatres worldwide very soon and said the 15,000-screen mark will be reached by the end of this year.
Steve Schklair, founder and CEO of 3ality Digital Systems, and a true stereoscopic pioneer, said it’s time to realize that the world has changed. “We’re now longer showing this to [just] the true believers,” he said, adding that arguing about which technology is better and fighting over native versus conversion is pointless. “The technology exists to create good 3D,” he concluded. “We should be focused on creativity. On telling a good story.”
BY NICK DAGER
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