News Stories

The European 3D-Stereo Summit for Science, Technology, and Digital Art

Dec. 8-10, 2010, Liege, Belgium

Submission to the 3D Stereo Media conference is open (8-10 December 2010). Entries for the 3D film festival run in parallel with 2D Stereo Media are accepted up to 15 November 2010.The list of Speakers is available here.

Register here for the 3D conference (pros : 320€, academics: 220€, special student rate : 100€).

And don’t forget the “Nuit des 3D-vores” in the evening of the second day at the 3D film festival running alongside the conference !

conference website: http://3dmedia2010.com/en

source: http://stereoscopynews.com/hotnews/events/conferences-a-festivals/1028-3days-of-3d-in-liege-belgium.html

3D-TV conference call for papers – Antalya, Turkey, May 16-18, 2011

The 3DTV conference will be held in Antalya, Turkey from 16 to 18 MAY 2011. Papers may be submitted up to 15 December 2010.

The 3DTVCON conference covers 3D Capture and Processing, 3D Coding and Transmission, 3D Visualization and Interaction, and 3D Applications. Check for more info here on 3DTVCON.ORG.

3D Capture and Processing

  • 3D capture and reconstruction for static and dynamic scenes
  • Design and implementation of novel camera systems
  • Multi-modal sensor data processing for 3D reconstruction and tracking
  • Mixing of virtual and real worlds
  • 3D head pose and gaze tracking
  • Signal processing for diffraction and holographic 3DTV

conference website: http://www.3dtv-con.org/3dtv-con-11/d2/topics.php

source: http://stereoscopynews.com/hotnews/events/conferences-a-festivals/1027-3d-tv-conference-call-for-papers.html

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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