News Stories

Vizio will offer a 65″ Polarized 3D TV For $3,700

Here is an excerpt from the High-Def Digest story

The new set from Vizio offers Razor LED backlighting, a 120Hz refresh rate and a 1080p picture, but what’s most interesting is that it does 3D using passive glasses. It’s the first we’ve seen from a major manufacturer and will likely set the pace for similar sets in the future.

The set, which runs $3,699 according to the site, comes with four pairs of polarized glasses and boasts “Theater 3D” but not “Full HD 3D” which almost certainly means you’ll be getting a less than HD picture.

Vizio’s XVT3D650SV also offers built-in Wi-Fi for Vizio Internet Apps and comes with the slick QWERTY remote we’ve come to expect from Vizio.

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From Vizio website ( here )

Product Overview

Bring the 3D movie theater experience home! VIZIO’s 65” Theater 3D™ Edge Lit Razor LED™ LCD HDTV delivers stunning, cinema-style 3D. Whether you’re watching the latest summer blockbuster or the championship game, with Theater 3D you will see crystal-clear, flicker-free 3D that’s up to 2 times brighter and causes less eye strain and less ghosting than conventional 3D.

This 65” allows you to be completely immersed in the action. With four pairs of polarized, battery-free, 3D glasses included, you can immediately share the excitement with friends and family! Bring these lightweight Theater 3D glasses to the theater and watch a 3D movie in style and comfort.

Featuring Edge Lit Razor LED™ backlighting with Smart Dimming™, 120 Hz refresh rate, 1080p Full HD and 1 million to 1 Dynamic Contrast Ratio, this superb HDTV renders both 2D and 3D with amazing clarity, color and contrast. Experience immersive virtual high definition surround sound with SRS TruSurround HD™ and SRS TruVolume™.

But wait, there’s even more! This 3D HDTV also includes VIZIO Internet Apps® and built-in dual-band 802.11n WiFi, giving you the convenience of on-demand movies, TV shows, social networking, music, photos, and more—all at the push of a button on the premium Bluetooth® universal remote.

Tech Specs

Specifications
Class: 65″
Viewable: 64.5″
Backlight Type: Edge Lit Razor LED™
Resolution: 1920 x 1080
Signal Compatibility: 1080p
Colors: 1.07 Billion
Dynamic Contrast Ratio: 1,000,000:1
Refresh Rate: 120Hz
Brightness: 450 nits
Response Time: 5 ms
Viewable: 178/178
Audio
SRS TruSurround HD™: Yes
SRS TruVolume™: Yes
Channels/Speaker Output: 2 x 15W
Connections – Inputs (REAR)
HDMI with HDCP:
Component: 1
Composite: 1 (shared with component)
VGA: 1
S-Video:
RF Connector for Internal Tuner: 1
Ethernet: 10/100 Base-TX
Connections – Inputs (SIDE)
HDMI with HDCP: 5
USB 2.0: 3 (Service only)
HD Gameport: Yes
Connections – Outputs
Optical Digital Out (SPDIF): 5.1
Analog Audio Out: Yes
Headphones:
Multimedia Support
Music (MP3): Future feature via firmware upgrade
Photo (JPEG): Future feature via firmware upgrade
Video (MPEG): Future feature via firmware upgrade
Additional Features
Smart Dimming: Yes, 32 zones – Only active in 2D
Smooth Motion: Yes
Picture-in-Picture (PIP): Yes
HDMI CEC: Yes
HDMI ARC: Yes
Ambient Light Sensor: Yes
Bluetooth: HID (remote), A2DP/AVRCP (headset) HFP (voip)
Wireless (WiFi): 802.11n Dual Band
Wireless HD (1.0):
Theater 3D: Yes
Full HD 3D: No
Glasses: 4 polarized glasses included
Mercury Free: Yes
Remote Control: VUR10 3D
Power Consumption: 185W
Stand-by Power: <1W
Weight
Gross: 130.51lbs
Net With Stand: 104.94lbs
Without Stand: 92.82lbs
Dimensions
With Stand: 60.9″W x 40.9″H x 16″D
Without Stand: 60.9″W x 38.46″H x 2.25″D
Packaging Dimensions: 71.69″W x 44.49″H x 19.45″D
Certifications CSA, CSA-US, FCC Class B, BQB, HDMI 1.4 3D
Compliances Energy Star 4.1, ATSC Spec A/65, EIA/CEA-766-A
Wall Mount Specifications
Hole Pattern: 400mm(vertical) X 600mm(horizontal)
Screw Size: M8
Screw Length: 23mm (max)
Screw Pitch: 1.25mm
VIZIO Warranty One Year Parts & Labor; Free Lifetime Technical Support

ZAMBEZIA 3D trailer released (South Africa animation feature film)

Triggerfish Animation (South Africa) is working on three animated feature films. Zambezia (in full 3D) will be released next year with production completed in May 2011. The first trailer appeared today on YouTube (in HD 3D).

Watch the 3 min 36 sec trailer in side-by-side format here: http://www.youtube.com/watch?v=iO2tzslrcMo

read the full story here: http://stereoscopynews.com/hotnews/3d-movies/3d-blockbusters/1064-zambezia-3d-trailer-released.html

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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