News Stories

N prepares for regular 3D (Polish 3D TV free through 2011)

The Polish DTH platform n will launch the country’s first regular 3D transmission on December 4.

Known as nShow 3D, it will make its debut with a screening of a boxing match between Albert Sosnowski and Alexandr Dimitrenko.

NShow 3D will be made available for no additional charge to all n subscribers until the end of 2011 and offer a range of concerts, movies, documentaries and leading sporting events in 3D.

The latter will include live transmissions of Champions League games. Platform n says it is also preparing a 3D Christmas “surprise” for its subscribers at 19.00 on November 24.

Full story here: http://www.broadbandtvnews.com/2010/11/29/n-prepares-for-regular-3d/

Netgear – stream judder-free 1080p 3D video wirelessly

Netgear has unveiled the world’s first networking kit which claims to stream judder-free 1080p 3D video wirelessly.

According to NEtGear, the Netgear3DHD Wireless Home Theatre Networking Kit (WNHDB3004) with NETGEAR 3DHD Wireless technology lets you transmit ‘3DHD streams between rooms and even between floors.’ It also claims to transmit multiple HD video streams, such as the two simultaneous HD video streams required for 3D movies and TV.

The NETGEAR 3DHD Wireless Home Theatre Networking Kit (WNHDB3004) is available from January 2011 for $499.

Full story here: http://smarthouse.com.au/Wireless_And_Networking/Routers_And_Switches/F7X6A3J5

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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