News Stories

3D Expo Seeks to Explain New Technology to China

USC SCA and Michael Peyser mentioned /

Following the eye-popping success of Avatar in China and the recent flop of China’s latest homegrown 3D film, Don QuixoteEllen Eliasoph, the former head of Warner Bros. China and Bai Qiang, the founder of a new company called 3D-China, have teamed up to explain and promote the technology shaking Hollywood to the China’s burgeoning film industry and the growing masses of Chinese middle-class moviegoers.

Together with the government of the biggest city district in China’s capital, Eliasoph and Bai on Thursday launched the 1st 3D Creation Expo in the 250-seat state-of the art 3ality 3D theater at the Chaoyang Museum of Urban Planning.

Free to the public through Sunday, the expo will feature rock concert film U2 3D, a 3D promotional video from the U.S. Air Force, a 3D U.S college football game from ABC Disney’s ESPN between Indiana and Michigan and a film about a Chinese fashion show called Catwalk 3D.

The expo comes at a time when China’s box office, up 86% in the first half of this year, is boosted in large part by Hollywood blockbusters such as Avatar, which grossed $204 million here, more in China than any territory outside the U.S. Much of that film’s success was on China’s some 800 3D screens, where tickets went for upwards of 100 yuan ($15) each.

After the failure of Chinese director A Gan’s 3D movie Don Quixote, which was pulled from screens quickly after its Oct. 15 premiere, Bai said there was much work to be done for Chinese 3D to catch up with Hollywood. “It somewhat shakes the confidence of Chinese movie industry in doing 3D,” Bai told The Hollywood Reporter. “The pure domestic attempts on 3D have not been very eager.”

To encourage the development and domestic use of the technology, the 3D Creation Expo also will feature a short film called Hi from Hollywood, produced by film students at the University of Southern California now taking the classes of professor Michael Peyser, producer of U2 3D, among other films.

The expo, which initially drew about 175 guests, mostly young Chinese film producers, filmmakers and students, was scheduled to kick off with talks about 3D technology and the potential growth in the industry. A talk on the importance of storytelling to any film, 2D or 3D, was set to include Creative Artists Agency China president Peter LoehrCity of Life and Death director Lu ChuanGreg Basser, CEO, Village Roadshow Entertainment Group and Qian Chong Yuan, director of the film department of Beijing Forbidden City Film Co.

Other guest panelists included Chen Xiaowei, CEO of Chengtian, the company that recently bought a stake in Hollywood’s Legendary Pictures, and Billy Wu, CEO of Technicolor China.

“Everybody’s interested in 3D production, but the workflow is not yet standardized so we have lots of room for improvement,” said Zhang Jianlong, who goes by Stego, general manager of new Beijing-based 3D production company d+. D+ is now doing the 3D work on Hong Kong director Tsui Hark’s Bona Film Group remake of the classic martial arts film The Flying Swords of Dragon Gate, starring Hollywood crossover star Jet Li.

China’s overall ticket sales soared 86% to $714 million from January through June and are sure to shatter 2009’s record box office take of $909 million.

“Twenty years ago when I started working in movies in Asia, Japan was the important territory,” said Eliasoph, now managing director of law firm Covington and Burling. “Now, it’s China and 3D is an important part of this industry’s growth.”

source: http://www.hollywoodreporter.com/news/3d-expo-seeks-explain-technology-46765

VIZIO Licenses RealD 3D Technologies

VIZIO Full HD 3D HDTVs to Support RealD Format and RealD Active Eyewear Technology /

RealD Inc. (NYSE: RLD), a leading global licensor of 3D technologies for cinema, consumer electronics and professional applications, today announced that VIZIO, a leading LED LCD HDTV manufacturer, has licensed RealD’s 3D technologies for their upcoming line-up of 3D TVs. Current VIZIO XVT series Full HD 3D HDTVs in 42”, 47” and 55” class sizes will support the stereoscopic RealD Format for the delivery and display of high-definition 3D content. VIZIO active eyewear compatible 3D HDTVs will also utilize active shutter glasses that integrate RealD 3D lens and synchronization protocol.

“RealD active eyewear technology is known worldwide for delivering exceptional 3D, giving viewers of VIZIO 3D TVs the opportunity to see content in crisp, clear and fully immersive 3D.”

“VIZIO is a leader in North American flat panel HDTV sales and we look forward to working with them as they introduce their line-up of 3D HDTVs utilizing RealD 3D technology,” stated Robert Mayson, President of Consumer Electronics at RealD. “RealD active eyewear technology is known worldwide for delivering exceptional 3D, giving viewers of VIZIO 3D TVs the opportunity to see content in crisp, clear and fully immersive 3D.”

“VIZIO is committed to delivering a great 3D experience and RealD’s 3D technology has helped make this a reality,” said Matthew McRae, CTO, VIZIO. “Consumers purchasing 3D televisions expect compatibility with all formats including RealD.”

The RealD Format is based on RealD’s patented side-by-side 3D display technology. It combines left eye and right eye 3D image streams into a single channel for delivery of high-definition 3D video to 3D-enabled displays using today’s HD infrastructure, including existing HD set-top boxes and DVRs.

RealD’s active eyewear technologies are recognized industry-wide for delivering a high-quality 3D image. Through decades of research and development, RealD has advanced active shutter glasses technologies for the best Stereo3D™ clarity. Using infra-red communication, the RealD active eyewear protocol synchronizes the TV with the eyewear lens for optimal image brightness and 3D effect.

source: http://www.businesswire.com/news/home/20101117006058/en/VIZIO-Licenses-RealD-3D-Technologies

< PREVIOUS ARTICLES NEXT ARTICLES >

Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

Oops, something went wrong.