News Stories

Erhardt will lead Int’l 3D Society’s push to bring 3D to commercials

One day, TV commercials may leap off the screen at you.

The Intl. 3D Society has set up a marketing committee to educate the advertising community about the perceived advantages of stereoscopic commercials.

ESPN marketing prexy Ed Erhardt will serve as the unit’s chairman. Members include General Motors’ Elizabeth Boone, Integrated 3D Solutions’ Bill Frash, DirecTV’s Paul Guyardo, National CineMedia’s Cliff Marks, TBWA/Chiat/Day’s Richard O’Neill, Stradella Road’s Gordon Paddison and Discovery Networks’ David Shackley.

“As 3D’s center of gravity moves into the home, marketers and advertisers will be at the forefront of communicating with consumers using 3D technology,” Erhardt said.

Marketing committee members will present ideas at org’s 3DNA Outlook Forum on Feb. 8.

source: http://www.variety.com/article/VR1118027549

XDC and Reel Cinemas Agreed To Deploy 57 Digital Screens in UK

3D experience, alternative content programmes, operational cost savings /

Reel Cinemas, a growing UK exhibitor, XDC, the n°1 digital cinema service company in Europe, have agreed on the terms for a deployment of 57 digital cinema systems at 15 cinemas.
K.C. Suri, Managing Partner of Reel Cinemas, said: “We made the decision for XDC because they offered the most comprehensive solution available today on the market: simple and efficient financing structure, clear and transparent business model, keen technological expertise. With the help of XDC we are able to complete a full roll out within a reasonable short time frame, which allows our circuit to benefit from the advantages of digital cinema: 3D experience, alternative content programmes, operational cost savings.”

Serge Plasch, XDC’s Chief Executive Officer said: “Having this first VPF deal in UK  is for XDC a very strategic milestone, since UK has always been a key market for cinema business. Reel Cinemas is a respected exhibition circuit and we are very proud to have been selected for their digital roll out plan. This agreement also demonstrates the solidity of our business model which is the only one able to offer agreement with all the 6 majors US studios, available financing from BNP Paribas Fortis and advanced knowledge in digital cinema technology ”.

David Pope, XDC’s Director UK Operations added: “It really has been a pleasure working with Kailash Suri and Reel Cinemas to develop a Digital Cinema solution to suit their exact requirements. I am looking forward to our UK operation starting the role out and supporting Kailash and his team with a seamless transition to digital, maintaining the extremely high quality operation and outstanding entertainment service that Reel have provided to the public over the years.”

Under the terms of the agreement with XDC, Reel Cinemas will install Series 2 DCI-compliant Barco digital projection systems. Reel Cinemas will also implement a fully integrated and networked solution across the circuit, thanks to XDC’s advanced Theatre Management System and Central Library, the XDC’s CineStore® Plaza. A content delivery network will also be implemented by XDC in order to allow distributors to deliver films directly by satellite and/or broadband connection to the cinemas, as well as to give the opportunity to Reel Cinemas to perform live 2D and 3D transmissions.

All the systems will be connected to the XDC’s NOC (Network Operations Centre) which will perform the hotline support and the preventative remote maintenance. Thanks to the sophisticated XDC’s CineStore Data web-based application, the frontline support (with the possibility to have a full remote monitoring of the digital systems) will be directly managed by Reel Cinemas local integrator Omnex Profilm Ltd, which will also take care of the installations and maintenance under XDC supervision.

Other UK exhibitors are planned to start digital roll out with XDC by early 2011. XDC is targeting to rapidly increase its UK operations in order to manage the deployment and the support of about 400 screens.

source: http://www.dcinematoday.com/dc/pr.aspx?newsID=2101

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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