News Stories

DSC Labs Gives Sneak Peek of its 3D Precision Test Charts for camera alignment

DSC Labs, eco-friendly developer of innovative products for image quality improvement, has announced that it will exhibit at the National Association of Broadcasters (NAB) convention, held in Las Vegas, NV from April 11-14, 2011 (booth number C10215). The Fuji Gold Medal winner has been showcasing state-of-the-art precision test charts at the NAB show since the early 90’s, and this year will be announcing significant breakthroughs in 3D chart technology. DSC Labs President David Corley comments, “In the past year, there have been major advances in 3D. We are grateful to the leaders in this technology for their suggestions and features, many of which are included in DSC’s 2011 3D charts.”

NEW – The Dashwood 3D Chart

Driving DSC Labs’ Dashwood 3D Chart initiative is none other than Dashwood Cinema Solutions Founder, Tim Dashwood – seasoned 3D stereographer, cinematographer, director, and editor. The Dashwood 3D Chart is a brand new stereoscopic chart that automates the display of accurate 3D rig calibration at unheard of speeds. When integrated with Dashwood Cinema Solutions’ new calibration software or the new Stereo3D Toolbox v3, the chart’s unique visual code trackers work alongside the applications to automatically track to 1/1,000 of a pixel for unprecedented stereo alignment. The chart also offers live feedback to assist in automating camera alignment, sync testing and slating, and color and gamma calibration. For those aligning manually, the Dashwood 3D Chart offers manual alignment with the DSC Labs’ patented FiddleHead spirals for corner-to-corner focus.

Dashwood says, “Dashwood Cinema Solutions chose a partnership with DSC Labs because they manufacture the most accurate, versatile and rugged calibration charts in the world. The new Dashwood 3D Chart will make the geometric and colorimetric calibration of stereoscopic rigs faster than ever. We intend to speed up the recalibration after a lens change by 1000%. There is now no need to hesitate when changing a lens.”

NEW – The Pilot 3D Chart

In addition to the Dashwood 3D Chart, DSC Labs will unveil the Pilot 3D Chart, named for its runway-like extension and corner LED lights. Incorporating a wide range of feedback from 3D experts, The Pilot promises to be an extremely comprehensive tool for the proper balance and alignment of 3D rigs. In addition to DSC’s patented neutral grayscales, accurate color bar patches and zone plates, the Pilot’s features include camera synchronization, multiple scales, geometric webs and 18% gray patches, ensuring critical precision.

The Hawk QCC and RoliChart Make Their NAB Debut

In addition to breakthrough 3D technology, DSC Labs will be featuring its recent Hawk QCC and CamAlign RoliChart chart releases. Ideal for single- or multi-camera shoots, the Hawk QCC uses critical information from an original scene set-up using a DSC primary chart, and then provides relevant data for quick camera evaluation and scene matching. Similar to the Hawk QCC in compactness, the CamAlign RoliChart is designed for use in the field, and remains protected when rolled up into its sturdy anodized casing.

For more information about DSC Labs, please go to www.dsclabs.com or visit them at booth C10215 at NAB. Attendees can also learn more about 3D chart technology by visiting Dashwood Cinema Solutions at booth C10514D3 in the 3D Pavilion.

DSC Labs has been dedicated to image integrity in visual communications for more than 48 years. The company’s pioneering engineering achievements include patented image processes and the development of standardized industry-wide test patterns, earning DSC the Fuji Gold Medal for outstanding contributions to television. Using ground source heat/cool technology at the lab, DSC is known for its environmentally friendly production processes and materials, and whenever possible, for designing recyclable products. “Better Images through Research” articulates the company’s continuing commitment to making innovative products for image quality improvement.

Original post here: http://www.studiodaily.com/main/news/prc/DSC-Labs-Gives-Sneak-Peek-of-its-3D-Precision-Test-Charts_12897.html

Samsung, Sony, Panasonic, Sharp, Haier and Changhong announce active shutter 3D TV alliance in Beijing

(Philip Lelyveld comment:  Companies manufacturing passive polarized 3D include LG, Philips and Toshiba.  Article positions this as a format war.)

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The heat is on in the debate between two 3-D TV formats.

Samsung Electronics, the world’s largest maker of liquid-crystal display (LCD) panels, announced yesterday that it formed “3-D TV alliances” in Beijing over the weekend with five other TV makers: Sony, Panasonic, Sharp, Haier and Changhong.

The six companies, which accounted for 90 percent of the Chinese 3-D TV market last year, agreed that the active shutter glasses format is the best technology for a full high-definition, 3-D experience, while vowing to expand their presence with the format, Samsung said.

There are two kinds of 3-D technology in use: active shutter glasses and passive polarized glasses. The key difference is that while the former creates a sense of depth by sending visual information to each eye sequentially, the latter does so by sending visual information to both eyes simultaneously.

For viewers, the active format offers clear and high resolution images but it could cause dizziness and the glasses are heavier and pricier. In contrast, the passive format is less likely to cause dizziness and the glasses are lighter and cheaper but offers a relatively less-clear 3-D experience.

As opposed to Samsung’s alliance, companies like LG Display, the world’s No. 2 manufacturer of flat-screen TVs, Phillips and Toshiba are betting on passive polarized glasses.

At the Consumer Electronics show in Las Vegas earlier this month, LG Display touted Film Patterned Retarder (FPR) technology, which uses polarized glasses, as the next big technology in 3-D TVs.

“FPR televisions provide full, high-definition quality pictures without image overlaps and flickering, which dramatically reduces the health worries related to 3-D viewing,” LG Display Chief Executive Officer Kwon Young-soo told reporters, adding that 70 percent of all 3-D TVs sold this year will feature FPR technology.

But the debate on who will dominant will likely go on.

Samsung said yesterday that the passive type fails to achieve the resolution level required to be full HD, while LG Display said that the passive format “does obtain the resolution level required to be full HD, just in a different way.”

Original post here: http://joongangdaily.joins.com/article/view.asp?aid=2931676

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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