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Using LightWave 10 (S3D software): Cool Software, Cool Price


Remember the splash at NAB1990 when NewTek brought out the Video Toaster with LightWave animation software running on the Amiga platform? Things have come a long way since then.

The latest Version 10 of a whole series of evolutions called “LightWave 3D” packs a wallop of features for its price (new, $895; upgrades, $495) and is already being used by some creative visual effects artists on some pretty cool projects.

“The greatest improvement in this new release is its ability to help computer artists and graphic designers make iterative changes in real time,” explained Rob Powers, vice president of 3D development at NewTek. “It gives them interactive control over their creations, and this type of workflow was used extensively by James Cameron to visualize the scenes on Pandora for ‘Avatar,’ among many other projects. If film artists and game creators can see their changes in real time, their work can keep up with their imaginations.”

(from Stereoscopy.com “With the new stereoscopic 3D convergence rig LightWave has implemented in this latest release, you can adjust the zero parallax point in a way similar to Vince Pace’s Fusion 3D physical camera adjustments. It lets you dynamically track the inter-ocular distance throughout a shot.”)

by Jay Ankeney, 02.14.2011

Read the full article, with illustrations, here: http://www.tvtechnology.com/article/113668


Nintendo 3DS sold out in Japan (2 stories)


Numerous reports coming out of Japan claim the Nintendo 3DS has sold out in that country.

According to the reports, 400,000 Nintendo 3DS units were sold since the device’s launch on Saturday. A sell-out was expected. Most retail outlets in Japan had their preorders sold out prior to the launch of the portable-gaming device and were already taking orders for the next shipment.

The Nintendo 3DS will be one of the more interesting launches this year, thanks to its unique feature-set. The platform, which went on sale in Japan for 25,000 yen (about $300), allows gamers to play 3D titles without the need for special glasses. It comes with two screens and boasts an accelerometer and gyroscope to give developers a few more options for their video games.

In Japan, 400,000 units sold is just the beginning for Nintendo. The company said last year that it expects to sell 1.5 million 3DS units in Japan alone by the end of March. The European launch is set for March 25. The U.S. launch is scheduled for March 27 with a $249 price tag for the device.

With the Japanese, European, and U.S. launches combined, Nintendo expects to sell 4 million 3DS units by the end of March.

The company confirmed recently that on U.S. launch day, the 3DS will be flanked by 18 games. Nintendo plans to have 30 titles available by early June.

Nintendo did not immediately respond to CNET’s request for confirmation of the 3DS sell-out.

by Don Reisinger

see the original story here: http://news.cnet.com/8301-13506_3-20037185-17.html?tag=mncol;1n

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Nintendo 3DS starts selling in Japan

Nintendo started selling the 3DS handheld game system this weekend in Japan, and fans lined up in chilly weather to get their hands on the new handheld which can be viewed in stereoscopic 3D without special glasses.

The system won’t arrive in North America until March 27 and in Europe on March 25. Nintendo typically targets its initial launches of new game systems for the Japanese market first and then it builds larger supplies to launch worldwide. The system is a critical one for Nintendo, which wants to continue to dominate handheld gaming despite the strong sales of Apple’s iPhone, iPod Touch, and iPad — which have become spectacular game platforms. New game systems typically sell out in their first sales spurt, so we’ll be watching to see how the launch goes for Nintendo.

GameSpot said crowds lined up at one store at the Yodobashi Camera store in Tokyo’s Akihabara electronics district. But some of the people were there to get a new toy based on the Kamen Rider television show. It so happened the new toy was being released on the same day as Nintendo’s new dual-screen portable device. The 3DS is available in cosmo black or aqua blue colors, and there were eight Japanese 3dS games available at the launch. Outside the store, a number of new 3DS owners tired out the system’s Street Pass social functionality outside the store.

The 3DS costs 25,000 yen, or $300, in Japan. In the U.S., it will cost $250, with games costing $40 each. That might be a reflection of how competitive the U.S. market has become with the Apple and Android devices on the market. Nintendo has said it expects to sell 4 million DS units by the end of March, including 1.5 million in Japan. Given past history and the interest in the device, that should be easy for Nintendo to do. The DS has sold more than 145 million units in its lifetime since 2004. Sony will have its own new handheld game system, the NGP, coming this fall.

Bloomberg reported about 2,000 people lined up at a store in Akihabara, after e-commerce retailers sold out their pre-orders. Reuters said customers lined up at a camera store in Yurakucho, Tokyo. And the Wall Street Journal reported hundreds of people outside a store in Ikebukuro, Tokyo.

PC magazine reported that the 3DS system got hacked soon after the sales started. Hackers “jailbroke” the device to support flash memory cards that can play older Nintendo games.

See this original story here: http://venturebeat.com/2011/02/26/nintendo-3ds-starts-selling-in-japan-and-get-shacked-right-away/

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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