News Stories

ESPN X Games 17 returns with more than double the 3D coverage, takes rally racing to the streets

[By Richard Lawler, senior HD editor, engadget]

ESPN has released some of the broadcast details for Summer X Games 17, scheduled to occur between July 28th – 31st, and it’s increasing from eight hours of 3D coverage last year to a planned 18 hours this time around. Interestingly, the HD schedule has been shortened slightly from 31 hours to 25, but there’s still plenty of sports action to catch, including a new Enduro X motocross competition and a move to the streets of downtown Los Angeles for the Rally racing competitions. Check all the details currently available in the press release after the break, we’re going to go find and wash our Travis Pastrana jersey.

See the original post here:  http://hd.engadget.com/2011/04/29/espn-x-games-17-returns-with-more-than-double-the-3d-coverage-t/

Sony Bloggie 3D camera available now

[By George Wong, Ubergizmo.com]

The Sony Bloggie 3D camera that was unveiled at CES, and then put up for pre-order a few weeks later is now available for purchase online. The consumer-level camera introduces 3D video recording and image capture to users who are looking to dip their toes into the 3D image market without wanting to fork out tons of cash for a high-end 3D camera.

The handy little camera can shoot 3D videos at 1080p and take 3D still shots at 5 megapixels. Its Exmor- CMOS sensor ensures beautiful pictures even in low light conditions and has the ability to capture photos while you’re shooting a video at the same time. It even packs a 2.4″ glasses-free 3D screen so you can preview your masterpieces on the spot. The Sony Bloggie 3D has 8GB of internal storage for you to record up to 4 hours of footage and HDMI output lets you share your videos and images on the big screen.

The Sony Bloggie 3D is available now on Amazon for $249.99.

See the original post here: http://www.ubergizmo.com/2011/04/sony-bloggie-3d-camera-available-now/

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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