News Stories

Mercedes-Benz Working On 3D Displays And Hand-Gesture Recognition

[Excerpt]

…  Already previewed in the recently revealed2011 Mercedes-Benz Concept A-Class, display screens with 3D capabilities will depict differently arranged navigation levels. The driver is guided intuitively around the spatial depth of this menu structure by flowing movements and fluidly animated transitions.

According to Mercedes-Benz, three-dimensional on-screen presentations enable information to be absorbed more intuitively.  …

 

 

 

Further examples of this natural style of interaction include menu control via gestures or handwriting recognition, whereby the user traces a finger over the display on the head unit just like in the Audi A8. …

See the original post here: http://www.motorauthority.com/news/1063969_mercedes-benz-working-on-3d-displays-and-hand-gesture-recognition

Vodafone drops HTC Evo 3D [from current marketing campaign]

[Excerpt]

The HTC Evo 3D has vanished from Vodafone’s ‘coming soon’ page, with a Vodafone spokesman confirming the network will be dropping the 3D smartphone from its line-up.

Vodafone told ZDNet UK’s sister site CNET UK the reason is because of a delay to the phone’s launch, which means the Evo 3D would be “coming out at the same time as other exciting handsets”. Other upcoming mobiles might include Nokia’s Windows Phone 7 effort and the iPhone 5, which could offer stiff competition to the Evo 3D.

Read the full post here: http://www.zdnet.co.uk/news/mobile-devices/2011/07/28/vodafone-drops-htc-evo-3d-40093544/

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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