News Stories

Funding for 3D projects come to life

[HD Guru 3D]

If you’ve been wondering how 3D projects can go forward with the high expense of 3D right now, question no longer with a recent announcement.

Empire Post Media, Inc. announces that it has secured funding to begin a concerted effort to create and develop new 3D TV projects that will complement the company’s first television series, “Journey Beyond”.

According to Empire CEO Peter Dunn, this funding will allow the company to develop up to 10 new projects, which, if successful, will add to the company’s revenue stream and bottom line. “The Company’s strategy is to select content opportunities that are positioned to take advantage of the increasing number of platforms for 3D content, including international television, Internet delivery, mobile applications and other digital distribution formats,”  …

 

Read the full story here: http://hdguru3d.com/funding-for-3d-projects-come-to-life/

USA: Samsung and LG boost 3D LCD market share as Japanese rivals tumble

[WhatHiFi]

The latest TV sales figures for the North American market show Samsung and LG opening up a huge lead over their Japanese rivals in the 3D LCD market. Almost three quarters of the market is now sewn up by the two Korean companies, while the likes of Sony and Panasonic have seen their shares tumble.

In the first quarter of last year, the combined 3D market share held by LG and Samsung was 56%, but in the final three months of 2011 that rose to 73%.

Meanwhile the combined market share of the Japanese manufacturers, including Panasonic, Sharp, Sony and Toshiba fell from 43% in the first quarter of the year to just 25% in the last three months, according to market research company NPD.

In the overall flatscreen market, which also includes 2D models, the Korean companies had a 34% share in October-December last year, while the Japanese share slipped to 24%.  …

However one significant figure shows how fast LG is catching up with its Korean rival in the 3D TV market, thanks to its commitment to the less expensive ‘passive glasses’ film-type patterned retarder (FPR) technology.

Samsung’s last-quarter 3D market share in the States was 46%, down slightly from its 48% in the first three months of last year, while LG’s share of the same sector surged from 8% in January-March 2011 to 27% in the last three months of the year.

 

Read the full story here: http://www.whathifi.com/news/usa-samsung-and-lg-boost-3d-lcd-market-share-as-japanese-rivals-tumble

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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