News Stories

More 3D coming to ESPN

[Reuters]

Sports network ESPN is forging ahead with plans for more 3D television programming, despite the fact the technology is moving slowly into homes.

ESPN President John Skipper, speaking at a conference sponsored by the Wall Street Journal’s All Things Digital blog, said the Walt Disney-owned network would produce up to 150 programs this year in 3D. Skipper acknowledged 3D television is “not a mass phenomenon” but said “with most things, there’s disappointment toward adoption before a rush to adoption.

Read the full story here: http://blogs.reuters.com/mediafile/2012/01/31/more-3d-coming-to-espn/

The Robot That Can Leap Over Asteroids

[Gizmodo]

The world’s most amazing athlete works for NASA. Meet the gigantic, six-legged, tool-wielding robot that can hop around an asteroid. Tiger Woods ain’t got nothin’.

The robot you see in the video is a half-scale model of a vehicle that NASA wants to send on a human mission to the moon. Half. This thing is 4m tall. It’s naked in the video, but when it eventually launches, it’ll have a payload on its back. It’ll probably house a ton of tools and gear, and even temporary space for a crew of one or two. It’s the lunar rover’s mutant, roboinsectoid big brother, and it’s incredible.  …

Oh, and it does all of this in 3D. ATHLETE is a super-spider (with six legs, I know. Maybe it was in a fight?). Not only does it have tons of eyes, but the eyes all come in pairs, enabling perhaps the only useful implementation of 3D ever. The drive cameras, hazard avoidance cameras (haz-cams), and tool cams are all stereoscopic. When you’re navigating a foreign world, two dimensions aren’t going to cut it. You need depth-perception. You need to see the world as if you were standing there.  …

Read the full story here: http://www.gizmodo.com.au/2012/02/the-robot-that-can-leap-over-asteroids/

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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