News Stories

Terma at Singapore Airshow 2012 (3D Audio)

[DefPro]

Terma demonstrated new solutions and products for the protection of helicopters, transport aircraft, and fast jets at Asia’s largest airshow. 

Singapore Airshow, which is among the world’s Top 3 airshows, …

At the airshow, Terma demonstrated our missile warning systems for fast jets, including our 3D Audio warning system and Active Noise Reduction.  …

If you would like to read more about Singapore Airshow 2012, please visit their website at www.singaporeairshow.com.

Read the full post here: http://www.defpro.com/news/details/32539/?SID=c8de7341c3499deda605c7c7499965a9

Optimal upgrade for 3-D phone (review)

 

[canoe.ca]

…  When it works, 3-D video looks good as well. But it still suffers from the same issues as before. For the effect to work, you need to hold the phone at a specific angle and the video itself must be the right kind of 3-D. And it works best if you use the included YouTube app as opposed to on a website. Through a browser, even when the right type of video is chosen, it often appears as two videos side-by-side as opposed to one top of one another, slightly out of phase, which creates the 3-D effect.

The firmware update also makes vast improvement to the cameras. The dual 5.0 MP cameras (3.0 MP for 3-D) can take photos with a resolution of 2592 x 1944 pixels and the 3-D video comes with improved depth for its 720p recording. It  shoots at 12 Mbps instead of 6 Mbps. The 2-D 1080p video recording is also boosted from 8 Mbps to 16Mbps. This results in a more vivid image. Video stabilization has been improved as well. And if you want, you can even convert the videos and photos you’ve shot from 3-D to 2-D. Or vice versa. (I imagine the latter is possible, because you’re likely always shooting in 3-D. The phone’s just not showing it to you when you’ve switched to 2-D.)

An editing program for both your 2-D and 3-D videos is also included. It’s a very simplistic timeline editor. It works about as well as any touchscreen editor would on a 4.3-inch diameter screen. Ultimately, I’m not sure how useful it is. If you wanted to edit together your recordings (the 2-D ones at least), you may as well just download it to your computer and use Windows Movie Maker, iMovie or Kino, because even these basic programs have more features available than the phone’s software.  …

See the full story here: http://blogs.canoe.ca/canoetech/product-review/an-optimal-upgrade-for-3-d-phone/

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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