News Stories

Panasonic Introduces PT-DZ21K Smallest and Lightest 3-Chip DLP Projector with 3D Capability

2.7.2012

[3D Roundabout]

Panasonic Europe today announced the PT-DZ21K Series, its new flagship 20,000 lumen 3-chip DLP projectors. The series consists of PT-DZ21K with WUXGA (1,920 x 1,200) resolution and 20,000 lumens of brightness, PT-DS20K with SXGA+ (1,400 x 1,050) resolution and 20,000 lumens of brightness and PT-DW17K with WXGA (1,366 x 768) resolution and 16,500 lumens of brightness. In addition to the high brightness and the compact body, the projector boasts a long lamp replacement cycle of up to 2,000 hours and has 3D compatibility making it ideal for large venue applications such as auditorium, museum applications and for rental and staging that require easy handling.

The DZ21K Series boasts a powerful 20,000 lumens of brightness from the incorporation of four new 465W UHM lamps. The high brightness is supported by 10,000:1 contrast ratio, Panasonic’s proprietary Detail Clarity Processor 3 engine that brings out the fine details in images, and DICOM Simulation mode[i] for use in medical training. The PT-DZ21K and PT-DS20K are both active 3D stereo projectors expanding the visual impact of the projected images. The supported 3D system is an active shutter system where the projector can be easily equipped with an external emitter via the 3D timing signal IN/OUT terminal. Frame sequential, side by side and top and bottom formats are supported as well as an easy menu to adjust for passive polarized 3D system.

Much cost savings is possible on the DZ21K Series with the up to 2,000 hours lamp replacement cycle.  ….

The projector comes equipped with a Lens Memory feature which adjusts the image size and location to up to three different projection positions and the mechanical shutter can be programmed to fade the image in and out during show transitions. All models have built in Edge Blending as well as Multi-Unit Brightness Control for projections on to wide screens and surfaces to create an immersive experience. Furthermore, PT-DZ21K and PT-DS20K are compatible to various curved screen projections with the Geometric Adjustment feature. The Geometric Adjustment feature can be enhanced with the optional upgrade kit, ET-UK20, to support more diverse curvatures and shapes. Bitmap masking becomes available enabling projections onto unique shapes.

The PT-DZ21K Series will be available from June 2012.

Read the full story here: http://3droundabout.com/2012/02/6157/panasonic-introduces-pt-dz21k-smallest-and-lightest-3-chip-dlp-projector-with-3d-capability.html

Corning Giant Touchscreen Glass Concept for Transparent Tablets Revealed [Video]

2.7.2012

[GizmoCrave]

…  Thin and light-weight Handheld display glass with 3D-projection ready support, durable Electrochromic glass having color selecting options, touch-sensitive Architectural display glass, photosensitive Automotive design glass, high-efficiency Photovoltaic glass,  Wall-Format display glass, multi-touch enabled Work Surface display glass, Chemical resistant Specialty Tablet glass, Anti-microbial glass, All-Weather surface glass, Transparent Display Glass, 3D TV display glass and lot more.

Though the concepts are outstanding, seeing it in reality will surely take some years. Already multi-touch tables can be seen through Samsung’s SUR 40 or 3M with a small size.  We hope Corning could make at least some of  its concepts realistic. Hit the play button to see the latest Corning ideas.

 

See the full story here: http://www.gizmocrave.com/10831-corning-giant-touchscreen-glass-concept-for-transparent-tablets-revealed-video/

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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