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Worldwide, 3-D TV set market to grow 500 percent in 2011, says In-Stat

[by Broadcast Engineering]

The 3-D TV set market is poised to grow this year by nearly 500 percent, according to In-Stat.

According to Michelle Abraham, ABI research director, a greater percentage of large-screen TV sets will ship with 3-D as a feature. “We expect 100 percent of all 40in and above DTV sets will eventually be 3-D-enabled,” she said. “This will not only cause shipments of 3-D TV sets to increase, but will also grow the number of households worldwide with 3-D TV sets”

A recent report from In-Stat, “3D Enabled TV Sets on the Rise Worldwide,” found:

  • Households with 3-D TV sets will surpass 300 million worldwide in 2015.
  • In 2011, Europe will have the greatest number of 3-D TV unit shipments at more than 7 million.
  • By 2015, Asia/Pacific will have the largest share of 3-D TV unit shipments at 32 percent.

 

See the original story here: http://broadcastengineering.com/hdtv/3-d-tv-market-to-grow-500-percent-in-2011/index.html

 

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From In-Stat’s website here: http://www.instat.com/catalog/mmcatalogue.asp?id=162#IN1104960ME

3D-Enabled TV Sets on the Rise Worldwide

3D content providers do not need to worry about consumers being unable to view their 3D content. With a large increase in the number of TV sets with a 3D feature coming to market in 2011, TV set manufacturers will make it difficult not to buy a 3D-enabled set in the coming years.

In this report, In-Stat and DisplaySearch provide our worldwide five-year 3D TV set unit shipment forecast by region. Using that information, we also offer a forecast for the number of households in each region that will have a 3D TV set.

More Info

Product Number: IN1104960ME
Publication Date: May 2011
Number of Pages: 21
Analyst: Michelle Abraham
Price: $2,495 U.S. Dollars
Table of Contents/Tables/Figures
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THE LOONEY TUNES 3D — AND THE LEGENDARY MEL BLANC — RETURN TO THE SILVER SCREEN, STARTING IN 2011

[Press Release]


Warner Bros. Animation Announces Three New 3D Theatrical Cartoon Shorts

Two of the Original Films Feature Voice Recordings Made by Mel Blanc

ANNECY, France and BURBANK, Calif. (8 June 2011) — “Thufferin thuccotash!” Sylvester the Cat, Tweety Bird, Daffy Duck, Elmer

Fudd, Wile E. Coyote and the Road Runner will all return to theaters in three original Looney Tunes 3D theatrical cartoon shorts produced by Warner Bros. Animation and directed by Matthew O’Callaghan (Coyote Falls). Two of the new shorts — Daffy’s Rhapsody and I Tawt I Taw a Puddy Tat — will feature the voice of the late, great Mel Blanc. The legendary actor/comedian known as The Man of a Thousand Voices brought to life some of the most revered characters in animation history during a celebrated career spanning six decades. Blanc will appear in the shorts — which are created using state-of-the-art CG animation and rendered in stereoscopic 3D — via original songs he recorded in character in the 1950s.

The announcement was made today by Peter Roth, President, Warner Bros.Television, who oversees television animation for the Studio, and Sam Register, Executive Vice President, Creative Affairs, Warner Bros. Animation (WBA). Register unveiled news of the three original shorts — which also include an as-yet-untitled adventure featuring the Coyote and Road Runner — during a presentation at the Annecy International Animated Film Festival.

“Everyone at Warner Bros. Animation grew up loving the Looney Tunes characters, and it has been both a great honor and an enormous challenge to continue the legacy of these animation icons and introduce them to a new generation of fans,” said Register. “And to have the incomparable Mel Blanc voicing these characters once more is nothing short of a dream come true for all of us.”

Register added, “This will probably be the last time that Looney Tunes fans will have an opportunity to see an original Mel Blanc short featuring these characters. We are honored to bring Mr. Blanc and his legacy to Looney Tunes fans once again.”

  • Daffy’s Rhapsody: In the first of the new shorts, a persistent Elmer Fudd chases Daffy Duck (Blanc) on stage during a musical performance. The short features Blanc performing the song “Daffy Duck’s Rhapsody.” Daffy’s Rhapsody is scheduled to debut in theaters on November 18, 2011, in conjunction with Warner Bros. Pictures’ release of Happy Feet 2.
  • I Tawt I Taw a Puddy Tat: A classic game of cat and bird transpires in Granny’s apartment as Tweety Bird goes to great lengths to avoid the clutches of his arch-nemesis Sylvester the Cat. The short also features the hit song of the same name, which was performed by Blanc, and sold over three million copies worldwide.
  • Untitled Coyote & Road Runner: Wile E. Coyote’s epic quest to capture the Road Runner continues in this all-new short. Will the Coyote finally get his paws on his elusive prize?
  • The three new shorts are all directed by Matthew O’Callaghan and executive produced by WBA’s Sam Register (The Looney Tunes ShowTeen TitansBen 10). The producers are Spike Brandt (The Looney Tunes ShowDuck Dodgers) and Tony Cervone (The Looney Tunes ShowDuck Dodgers).

The new theatrical shorts follow closely after the launch of The Looney Tunes Show, an all-new modern comedy series from Warner Bros. Animation which debuted in May and airs Tuesdays at 8/7c on Cartoon Network. The animated sitcom finds Bugs and Daffy living together as unlikely roommates: Bugs is as brazen, sarcastic and ahead-of-the-game as ever, while Daffy — despite his narcissistic, sociopathic and paranoid tendencies — is Bugs’ best friend and seemingly permanent houseguest.

In 2010, Warner Bros. Animation unveiled its first three CG cartoon shorts, all of which featured Wile E. Coyote and Road Runner. The first, Coyote Falls, was shortlisted for the Academy Award® for Best Short Film (Animated) and was nominated for an Annie Award for Best Animated Short Subject.

Photo caption: Elmer Fudd (left) and Daffy Duck (right) star in Daffy’s Rhapsody, an all-new Looney Tunes 3D theatrical cartoon short from Warner Bros. Animation.Daffy’s Rhapsody will feature the voice of the late, great Mel Blanc, who will appear in the shorts — which are created using state-of-the-art CG animation and rendered in stereoscopic 3D — via original songs he recorded in character in the 1950s. Daffy’s Rhapsody will be released in theaters on November 18, 2011, in conjunction with Warner Bros. Pictures’ release of Happy Feet 2.

See the original post here: http://collider.com/looney-tunes-shorts-mel-blanc/95550/

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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