News Stories

65″ glasses-free 3DTV debuting this weekend

[by Ben Parfitt, MCVUK.com]

Covent Garden’s Walkabout to show Champions League final on huge 3D screen

Those interested in trying out the latest in high-end glasses-free 3D TV tech will get the chance this weekend thanks to a special screening of the Champions League final between Manchester Untied and Barcelona.

The Covent Garden branch of Aussie pub chain Walkabout  will show the match on a special iPONT 65″ 3D TV. It’s the first chain to show football on a glasses-free (auto-strereoscopic) TV.

“When Sky 3D launched, bars and pubs across the UK installed 3D TV systems that required the use of 3D glasses, active and passive types,” iPONT director Matthew Young stated.

“The public’s reaction to them so far has been lukewarm. Nobody likes wearing darkened-spectacles while drinking a pint as it really detracts from the enjoyment.

“While there’ll be plenty of other 3D TV screens at Walkabout I’m fairly certain people will be jostling for position in front of ours. 3D without the glasses is only way to enjoy it and to watch the UEFA Champions League Final this way will be every armchair sports fans dream come true.”

Match coverage will begin at 18:00 on May 28th.

See the original post here: http://www.mcvuk.com/news/44493/65-glasses-free-3DTV-debuting-this-weekend

Disney’s ‘The Lion King’ to Return to Theaters in Digital 3D

[by Pamela McClintock, The Hollywood Reporter]

Set for a Sept. 16, 2011 release, it is the latest classic library title to get the 3D treatment.

Disney is bringing The Lion King back to theaters on Sept. 16, 2011, this time in digital 3D.

The Lion King is the latest classic library title to get the 3D treatment.

James  Cameron’s Titanic is being remastered, and will be released in 3D on April 6, 2012 by Paramount, 20th Century Fox and Lightstorm Entertainment.

Released in 1994, The Lion King was a defining moment for Disney, ushering in an animation renaissance. It continues to be the highest-grossing hand drawn animation film of all time, earning $783.8 million at the worldwide box office.

Disney also announced a title change, with John Carter of Mars being shortened to John Carter. That film opens in theaters on March 9, 2012.

Read the original story here: http://www.hollywoodreporter.com/news/disneys-lion-king-return-theaters-192621

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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