News Stories

Sport1 brings Champions League finals in 3D (Netherlands)

[by Robert Briel, Broadband TV News]

Chellomedia’s Dutch premium channel Sport1 will broadcast the UEFA Champions League finals in 3D on the Ziggo and UPC networks.

The final between FC Barcelona and Manchester United FC will take place in London on Saturday May 28, 2011, with Sky as the host broadcaster. Sky and other European broadcasters will also transmit the game in 3D.

Just recently, Sky Sports has announced its new three-year deal to continue showing extensive coverage of the UEFA Champions League until 2015.

“We introduced the exceptional quality of HD, then increased the number of live matches and have now pioneered 3D broadcasts. The UEFA Champions League goes from strength to strength and we look forward to extending our relationship with UEFA,” said Barney Francis, managing director of Sky Sports at the time the deal was sealed.

Telekom takes 3D lead (Germany)

[by Chris Dziadul, Broadband TV News]

There are likely to be over 8 million 3DTV households in Germany – equivalent to 20% of the total – by 2015, according to Randolph Nikutta, senior project field manager, new media, Deutsche Telekom.

He added that the telco is playing a key role in the introduction of 3D into the country.

It undertook the first live 3D broadcast in May 2010 and introduced 3D on demand last September.

In the latter case, despite starting off with only four titles, it found demand to be extraordinarily high compared to that for content in its 2D library.

More recently, Telekom undertook its first live Bundesliga broadcast in January and has since offered one game a week exclusively on IPTV.

Although currently offered free to subscribers, this may no longer be the case in the long term.

In March, Telekom also embarked on a 3D ATL (above the line) marketing campaign, pushing its product as being ready.

Nikutta identified a number of challenges, including the preparation of a 3D EPG and speeding up the transition from copper to fibre.

However, the real problem for the telco, which will try to “drive and push 3D”, appears to be securing sufficient content in the format.

See the original post here: http://www.broadbandtvnews.com/2011/05/18/telekom-takes-3d-lead/

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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