News Stories

Movie Opening: ’3D Priest’ (Hong Kong)

[by WSJ staff]

The thriller film “3D Priest” hits Hong Kong theaters this week. Directed by Scott Stewart, it tells the story of a priest, played by Paul Bettany, who breaks his vows to search for the vampires who kidnapped his niece. Adpated from a Korean comic book of the same name, “3D Priest” has generated mixed reviews from critics, with some fond of its 3D effects, while others more critical of the performance of the cast. Here is a sampling of what the critics have to say.

“Priest, directed by Scott Stewart, is a short, dour and stodgy creature feature with average 3D effects that draws on so many film influences from westerns, action adventures and sci-fi tales that what fun there is comes from spotting the many sources. All that corporal mortification in The Da Vinci Code was apparently not enough for Paul Bettany. He has the title role of another venomous cleric known only as Priest, who this time has been put out to pasture by the church that rules with an iron fist over what’s left of humankind.” [Ray Bennett, Hollywood Reporter]
“‘Priest’ follows the current Hollywood vogue for geek-friendly, comic-inspired genre mash-ups, chucking elements of western, horror and sci-fi into its overheated pot. It’s predictably effects-heavy, and while the CG elements are a little more solid and inventive here than in, say, ‘Sucker Punch’ or ‘Jonah Hex’, the blurry 3D transfer serves to scupper any sense of visual spectacle. Bettany is enjoyably terse in the lead role, but he never gets the chance to do any actual acting, while the likes of Brad Dourif, Christopher Plummer and Alan ‘Jim Robinson’ Dale are wasted in minor roles. All in all, it’s a painless affair, enjoyable enough while it lasts but, like its toothsome villains, destined to disintegrate in the cold light of day.” [Tom Huddleston, Time Out]
“Not exactly an unholy mess, but still a rather too pious retread of classic sci-fi/action/horror riffs that lacks originality or pizzazz, “Priest” won’t strike much awe in anyone. Paul Bettany, channeling Clint Eastwood’s Man With No Name, stars as vampire-slaying man of the cloth who goes rogue in a Steampunk-style parallel world to save a family member in peril.” [Leslie Felperin, Variety]
“There’s nothing Paul Bettany can do in Priest. Well, nothing except hurl crucifix throwing-stars at flesh-eating ghouls, ride retro-futuristic motorbikes with a warrior-cassock flapping behind him, leap into the air using falling rocks, and grimace. This is all a lot less fun than it sounds . Clawing away under its 3D dinge and slick but desensitising effects, the movie is deadly, even when it’s cool – a comic-book adaptation ruthlessly shorn of the word ‘comic’.” [Tim Robey, Daily Telegraph]

See the original post here:  http://blogs.wsj.com/hong-kong/2011/05/11/movie-opening-3d-priest/

3D Events – Northern and Southern Calif (plus UK)

 

Wednesday – May 11th- 6pm-9pm

Quick Film Budget speaker series

Guest Q&A: Technicolor 3D’s Dan Birnbaum
Moderated by filmmakers Nolan & Adam Lebovitz
Showbiz Budgeting & Scheduling Software Seminar
With Media Services’ Roger Jones
Showbiz Software Café, 500 S. Sepulveda Blvd, West L.A. CA
Free and open to the public; free parking located in building
Info & RSVP: www.showbizsoftware.com

****

Wednesday – May 11th – 8pm-?
ProjectFresh meeting – Award-winning 3-D shorts
LA 3D Club’s Eric Kurland & Ray Zone introduce recent competition winners
Food truck service at 6:45pm
After-screening rooftop reception
Downtown Independent Theater, 251 S. Main St., Los Angeles, CA
Advance tickets: $12 ($15 at the door)
Info & tickets: http://projectfresh.eventbrite.com/

****

Friday – May 13th – 8:45am-5pm
3D Advertising Summit
Hands-on presentations on 3D commercials production basics
*John Nicolard (Head of Digital Production, Fotokem)
*Grant Anderson (Stereographer/Instructor, Sony 3D Technology Center)
*Dave Gregory (Independent Filmmaker & Stereographer)
*Alex Lindsey (Lucasfilm & ILM; founder, dvGarage, Pixel Corps and Rebel Unit Media)
*Michael Ching (Owner/Producer/Casting Director of Grantave Productions and Casting)
*Keith Vidger (Sales Support Engineer, Acquisition Systems, Sony Electronics, Inc.)
*Anthony Shafer (Stereoscopic Supervisor and Stereographer, StereoBox)
*Tony McIlwain (VP Sales, Western Region, ScreenVision)
Kerner Group Studios, 90 Windward Way, San Rafael, CA, 94901
Free and open to the public
Info: www.kerner.com or 415/448-2000
RSVP: www.3dAdvertisingSummit.com
Press info: Dan Harary, Asbury PR Agency Inc., Beverly Hills CA
(310) 859-1831

***

Friday thru Monday – May 13th thru 16th – TBA
Chesterfield Stereoscopic Society Convention 2011
3D workshops, demos, exhibitors & screenings from around the world
*8pm-Friday thru Sunday – 3D show screenings
Legacy Chesterfield Hotel, Malkin Street, Chesterfield, Derbyshire S41 7UA, United Kingdom
Admission fees vary (day-passes or full festival tickets available)
Info: andrew.hurst@assistpoint.co.uk or 07768-484971
Registration: www.stereoscopicsociety.org.uk

****

Saturday & Sunday – May 14th & 15th – 1pm-10pm
L.A. 3D Club (SCSC) 8th Annual 3D Movie Festival & competition
Saturday, May 14th:
*1pm-3-D Shorts competition #1
*4pm-3-D Shorts competition  #2
*8pm-Feature Screening (TBA)
Sunday, May 15th:
*2pm-3-D Demos and Presentation (Free admission)
*4pm-3D Student Showcase (Free admission)
*7pm-Festival Awards & Screening (Rooftop reception for all attendees)
Additional events TBA
Downtown Independent Theater, 251 S. Main St., Los Angeles, CA
Admission fees vary; parking fees also charged
Weekend passes: $30 (Discounts for SCSC members & USC students)
Info & RSVP: www.LA3DFest.com

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Sunday thru Friday – May 15th thru 20th – TBA
Society for Information Display’s Display Week 2011
49th Annual Symposium, Seminar & Exhibition
Engineers, manufacturers, researchers in
Convention of electronic-information-display professionals
Presentations, panels & hundreds of exhibitors
Guest speakers include
*Douglas Trumbull (Showscan)
*Phil McNally (Dreamworks Animation)
*3-D Cinema, co-chaired by Force-friendly, Andrew Woods
L.A. Convention Center, 1201 S. Figueroa St., Los Angeles CA
Admission fees vary; individual seminar or full week available
Info & registration: www.sid2011.org/Overview.aspx

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Friday & Saturday – May 20th & 21st – TBA
2nd Annual New Media Film Festival
3D & new media features, short subjects & filmmakers Q&A
Opening night 3D Gala, with International 3D Society and Producers Guild
Los Angeles Film School, 6363 Sunset Boulevard (at Ivar), Hollywood CA
Admission fees vary; 30% discount code (before May 10th): earlybird30
Some networking events are free & open to the public
Competition submissions deadline: May 10th
$5 off any submission, with discount code: NM254
Info & registration: www.NewMediaFilmFestival.com

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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