News Stories

Glee’s Lea Michele: `My 3D nose is gonna be insane`

[By Frances Kindon, Monsters and Critics]

Lea Michele has admitted that she is worried about her nose looking big on the 3D film versionof Glee.

 

The musical show’s summer tour is set to be made into a movie, but Lea, who plays Rachel Berry in the series, said that she is concerned about how big her virtual nose will look.

 

She told E! News, ‘My nose is gonna be insane. People are gonna put on those glasses, and I feel bad for them.’

 

The 24-year-old added that she is still getting to grips with her fame and the fact that she is welcome at A-list parties, like the New York Met Gala, which was hosted by Vogue Editor Anna Wintour.

 

She added, ‘It was outrageous. You never think you’re gonna be in that room with all those fantastic people.

 

‘I felt like, at any minute, Anna Wintour was gonna come up to me and be like, ‘Out!”

 

See the original post here: http://www.monstersandcritics.com/people/news/article_1637424.php/Lea-Michele-My-3D-nose-is-gonna-be-insane

 

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[Movies] Glee Producers Reveal Details About Glee Live! 3D(SPOILERS)

[by George H. Sirois, 411Mania]

What are they ready to say about the upcoming concert film?

According to The Hollywood Reporter, there are several elements about Glee Live! 3D, the concert feature based on the smash hit Fox show, that the producers are willing to reveal to the fans…

– It will only be on the big screen for two weeks, from August 12 – August 25, 2011. (If the film does well, the release time can always be extended.)

– Fourteen cast members will be seen, but Jane Lynch and Matthew Morrison have not been announced as part of the movie.

– Songs by Journey and Britney Spears will be included on the playlist. “Don’t Stop Believing” and “I’m a Slave 4 U” will be heard, so expect to see Heather Morris get the spotlight as she reprises what she performed during the Britney Spearsepisode.

– Producer Ryan Murphy promises this will be a cinematic experience. “Thanks to our friends at Twentieth Century Fox Film, we’ll be able to bring the concert experience to movie theaters across the country in full three-dimensional glory. We promise every passionate ‘Gleek’ a cinematic experience that will have them singing and dancing in the aisles.”

– Kevin Tancharoen will be directing the movie. Not only does he have Fame, but he also directed Mortal Kombat: Legacy.

See the original story here:  http://www.411mania.com/movies/news/184967/%5BMovies%5D-Glee-Producers-Reveal-Details-About-Glee-Live!-3D-(SPOILERS).htm

iSupply: Global 3-D TV Shipments Soar by Nearly 500 Percent in 2011

 

[Press Release]

Driven by a pronounced change in marketing and promotion strategies as well as price declines and an increasing availability of content, worldwide shipments of 3-D TVs will catapult by a spectacular 463 percent to reach 23.4 million units in 2011, according to IHS iSuppli (NYSE: IHS) research.

The 3-D TV projections in 2011 represent startling growth for the much-publicized technology, with shipments expanding by a factor of 5.5 from 4.2 million units last year. Another year of triple-digit growth is expected in 2012, when shipments will soar by 132 percent to 54.2 million units. Global shipments will breach the 100-million-unit mark by 2014 and then hit 159.2 million in 2015.

3D TV Forecast

“In a major recalibration effort, television brands are changing strategies this year following lukewarm response to 3-D in 2010 when consumers balked at the high price of sets and the lack of 3-D content,” said Riddhi Patel, director for television systems and retail services at IHS. “In 2011, however, brands are marketing 3-D not as a must-have technology but as a desirable feature, similar to the approach they have taken with Internet connectivity.”

 

Brands believe this approach to promoting 3-D allows consumers to decide whether they wish to use the feature when they are ready, while convincing them that their newly purchased television is future-proofed, Patel noted. This gives consumers the appearance of having the choice to use a feature already present in a purchase that they made, instead of forcing them to buy a technology for which they might be unprepared, according to the television brands.

 

Prices Fall, Content Availability Rises
To further motivate consumers to buy 3-D TVs, brands are slashing prices. Prices for 3-D TVs fell 9 percent during March 2011 compared to February, according to the US TV Price and Specifications Tracker, a monthly IHS iSuppli service that tracks U.S. TV prices. Within the next year, prices will shift again, in accordance with the feature mix dictated by public preferences at the moment—a process expected to democratize 3-D adoption among consumers in all income brackets.

Broadcasting of 3-D also will enjoy an uptake, helping to dispel the public perception of a serious lack in currently available 3-D content for consumption. From the launch of 3-D TV services in June 2010 for the United States, and then in October the same year for the United Kingdom, more than 80 live sources of 3-D broadcast or pay-TV content had been delivered by the end of 2010. More programming will be available this year, topped by sports-related events and then followed by primetime entertainment, films and documentaries.

Options also are arising for the 3-D glasses that are required for 3-D TV viewing. While the current active shutter glasses provide better picture quality, an alternative known as passive Film Patterned Retarder (FPR) not only will expand availability in sizes as small as 32-inches, but also will reduce the overall cost of ownership, with the glasses being more user friendly as well. By 2015, passive 3-D shipments will surpass those of active 3-D, IHS expects.

 

The Appeal of 3-D TV Continues
Liquid crystal display (LCD) will remain the dominant technology for the 3-D TV market, accounting for 83 percent of 3-D TVs sold in 2011. In comparison, plasma is a much smaller player. However, 3-D penetration in plasma is higher, as the highly touted feature is one that plasma manufacturers hope will help slow the decline of the plasma market.

The 3-D TV share of the global flat-panel market will continue to rise in the years to come, jumping to 11 percent in 2011 from 2 percent last year, and then doubling next year to 22 percent. By 2015, 3-D TVs will account for 52 percent of flat-panel shipments.

The most popular 3-D TV size during 2011 will be in the 40- to 41-inch range, numbering about 3.3 million units; followed by the 55- to 59-inch range, with shipments of 2.9 million units; and the 45- to 46-inch range, with 2.7 million units.

See the original press release here:  http://www.isuppli.com/Display-Materials-and-Systems/News/Pages/Global-3-D-TV-Shipments-Soar-by-Nearly-500-Percent-in-2011.aspx

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Global 3D TV market to grow 5-fold in 2011: iSuppli

(By Miyoung Kim, Reuters)

The global 3D television market will grow more than 5-fold to account for 11 percent of flat-screen TV sales this year, as prices fall sharply and manufacturers add the function as an add-on feature, research firm IHS iSuppli predicted on Friday.

It projected 3D TV shipments would rise to 23.4 million units this year from last year’s 4.2 million units, gaining further to 159 million units in 2015. By that time, iSuppli said, 3D TVs would account for more than half of global flat-panel shipments.

TV manufacturers, led by South Korea’s Samsung Electronics, LG Electronics Inc and Japan’s Sony Corp are hoping high-end models such as 3D help them arrest razor-thin margins amid intensifying competition with low-cost producers in the commoditized flat-screen TV market.

Another research firm, DisplaySearch, also forecast last week that 3D TVs will rise to more than 50 percent of revenues and hit the 100-million unit sales mark by 2014.

By technology, active shutter-glass (SG) type sets, the current industry standard, will gradually give way to passive film patterned retarder (FPR) types and fall below 50 percent of the overall 3D market by 2015, iSuppli said.

The shift can be a big threat to top TV maker Samsung, which is aggressively pushing for SG technology and has been embroiled in a growing war of words this year with hometown rival LG Electronics and its panel supplier LG Display.

LG Group is making a big bet on FPR technology to stake out a bigger claim in the global 3D market, currently dominated by SG-type sets made by first such as Samsung and Sony.

LG contends that FPR addresses consumer concerns over blurry and flickering images, with glasses two to three times lighter than the previous bulky battery-charged eyewear that was required for 3D viewing.

The 3D market forecast by iSuppli is more bullish than Samsung’s own forecast of 17 million units.

 

See the original post here:  http://ca.reuters.com/article/technologyNews/idCATRE74512020110506

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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