News Stories

Sales of 3DTV Sets Expected to Reach 100M Worldwide by 2014

 

[Press release]


Just over 2 million 3DTV sets were sold worldwide in the last quarter of 2010, but that figure is expected to rise to 100 million by 2014, comprising more than 50 percent of revenues, according to research firm DisplaySearch.

The healthy penetration of sales of 3D-capable sets will first be attributed to full-featured sets, accounting for 30 percent of 120Hz+ LCD TV sets in 2011; but 3D penetration will quickly move into more basic models over the next several years. Plasma TV, which enjoyed a 30 percent increase in sales in 2010, now accounts for about 17 percent of 3DTV sales in 2011. DisplaySearch is now tracking and forecasting 3DTV shipments by technology, size, resolution, frame rate and backlight type, all broken down by region throughout its “Quarterly Advanced Global TV Shipment and Forecast Report.” 

The report also noted that as more consumers replace their CRT-based TV sets with new flat panel TVs, the growth rate of these sets is slowing worldwide. 

In 2010, total TV shipments worldwide grew by yearly 18 percent to 248 million units in 2010, but that growth is expected to decline to less than 4 percent in 2011 as slower price erosion cools demand in developed markets according to the firm’s “Quarterly Advanced Global TV Shipment and Forecast Report.” While the growth rate has slowed for developed countries that have already strongly adopted flat panels, the total TV market will increasingly be defined by the replacement of CRTs with flat panel TVs in emerging markets. On a unit basis, sales of flat panel TVs grew 32 percent in 2010 but will slow to 12 percent in 2011. 

“As the household installed base for flat panel TVs increases above 50-60%, the growth rate slows, which is currently the situation in Japan, Western Europe, and North America. Emerging markets, however, are still ripe for sustained growth due to a low level of household flat panel TV penetration,” noted Paul Gagnon, Director of North America TV Research for DisplaySearch. 

LCD TVs continue to be the primary TV type shipped worldwide, and are expected to account for about 84 percent of all TV shipments in 2011. As CRT TVs become scarce, LCD TVs will become the de facto choice for consumers looking to upgrade their CRT TVs. Worldwide LCD TV shipments will increase from about 192 million units in 2010 to almost 217 million units in 2011, a 13 percent increase. Total LCD TV shipments are expected to increase steadily, reaching 270 million units by 2014. 

Within the LCD TV category, several key features are gaining share as cost premiums decline. LED backlights will account for about 50 percent of the total LCD TV units shipped during 2011, penetrating a large number of screen sizes, especially above 40 inches. Larger screen size sets are usually fully featured and focused on performance. As a result, performance-oriented features like high frame rate and 1080p resolution have much better penetration among larger screen sizes. 120Hz and higher refresh rates will account for about a quarter of total LCD TV units in 2011, but for 40-inch+ sizes, the share is more than 60 percent. 

The report can be purchased here.

See the original post here: http://tvtechnology.com/article/120092

DTV Transition Knocks Down TV Penetration

[Philip Lelyveld comment: related to 3D, but not about 3D]

[By TV Technology staff]

The digital transition put a dent in TV penetration in the United States. TV set ownership will drop for the first time in nearly 20 years, if Nielsen’s preliminary 2012 count is on the nose. Nielsen is projecting there will be a total of 114.7 million U.S. TV households next year, down from 115.9 million this year. The figure represents the first integration of 2010 U.S. census numbers. 

Nielsen says the drop reflects aging baby boomers and more ethnic diversity, as well as the digital transition effect. After the June 2009 DTV transition, most analog TV sets were rendered obsolete, in the absence of a signal converter. Nielsen notes that TV penetration dipped after the transition and “did not rebound over time.”

The bottom line is, fewer U.S. homes have a TV set. TV penetration will have fallen from 98.9 percent to 96.7 percent. The last time there was a decline in TV homes was 1992, after Nielsen adjusted for the 1990 census. Nielsen said economics also played a role in the numbers. TV penetration started declining just after the transition, during the second quarter of 2009. Lower-income, rural homes were “particularly affected,” the firm said. 

Over-the-top video is another factor. While more people are watching video on a variety of platforms, a “small subset of younger, urban consumers” are doing without cable and satellite subscriptions. Whether or not it’s an economic issue remains to be seen, Nielsen said. 

“Some consumers are clearly being driven by the economy to make choices on the media devices they purchase,” said Pat McDonough of Nielsen. “Others are expanding their equipment to add more audio/video devices to their home. Still others may be deferring a TV purchase or replacing their TV with a computer,” 

Nielsen said it will release its adjusted local-market figures in last August. The TV-penetration count is based on census data, state government and U.S. Postal Service information, and Nielsen’s own data.

See the original story here:  http://tvtechnology.com/article/120102

< PREVIOUS ARTICLES NEXT ARTICLES >

Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

Oops, something went wrong.