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The New Media Film Festival is accepting 3D Content submissions! (Los Angeles event)

The New Media Film Festival
is accepting 3D Content submissions!

Discount for I3DS Members!

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The New Media Film Festival is waiting for your 3D Content.  Submit your Stereoscopic Media by May 6th!

I3DS Members receive 20% Off Entrance Fee for The Annual New Media Film Festival in LA.

The Los Angeles Film School will host the 2nd Annual New Media Film Festival on Friday, May 20th and Saturday, May 21st. . Touted as the Sundancefor the facebook crowd, the LA New Media Film Festival boasts celebrity judges from key Hollywood companies like Pixar, ILM and UTA.

Monetizing distribution over 2 cable channels and 2 online channels, the New Media Film Festival is focused on getting your work seen and distributed. (Last year’s winner in the 3D category was offered an immediate distribution opportunity with Discovery Networks!).

Submit your 3D content for a chance to win over $10,000 in prizes and a chance to screen your content in a Real D-equipped theater. Don’t miss this fantastic opportunity for your 3D work to be seen and appreciated. And best of all, your I3DS membership gets you 20% off your entrance fee for the LA festival!

Use discount code I3DS20 to save 20%
when purchasing
your ticket.

Use discount code I3DS50 to save 50%
when submitting your 3D content.

Enter online at:
www.NewMediaFilmFestival.com

Submission deadline for all content is Friday, May 6th.

For more information, please contact:
Vacheh Shahmoradian
Office of Charlotte Huggins 
T:     (323) 272-6202
C:    (310) 980-4020
F:    (310) 496-0890
E: vacheh@mac.com
Skype: vacheh13

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Conference: 3D Comm at InfoComm Int’l, June 15-17, 2011, Orlando

3D Comm at InfoComm

June 15-17, 2011 ~ Orlando, FL, USA

Insight Media and InfoComm International are again teaming up to produce 3D Comm3D Commwill be held during the regular exhibition hours at the world’s largest professional AV trade show,InfoComm 2011, running from June 15-17, 2011 in Orlando, Florida. 3D Comm will consist of three elements:

3D COMM SEMINARS

Twenty-four 90-minute 3D Seminars will be run outside the exhibition floor in a classroom setting. Sessions, led by Dale Maunu and Chris Chinnock of Insight Media, as well as other leaders in the 3D industry, will focus on providing unbiased information on many aspects of the 3D ecosystem, helping attendees gain critical knowledge about technology, markets, applications and uses of 3D. Seminars will be offered in a range of levels.

Seminar link: http://www.insightmedia.info/conferences/3dcomm-seminar-des.php#w1 .

3D ZONE EXHIBITION SPACE

You will be amazed in the must-see 3D Zone where you will explore the latest technologies on display including stereoscopic 3D (projection, LCD, PDP), no-glasses displays, content creation services, content distribution equipment, and professional and consumer 3D applications. Your company’s logo will appear on pavilion signage.

Exhibition link:http://www.insightmedia.info/conferences/3dcomm-exhibition.php

For complete exhibition details, contact: Insight Media, Dian Mecca,
(203) 831-8464, dian@insightmedia.info.

3D COMM THEATER AREA

These unparalleled technology theaters will showcase the latest display, projection and hardware/software technologies for high-def 3D vertical market applications in a state-of-the-art space. You won’t want to miss it! This area offers larger exhibition space in a theater-like setting. Both the 3D Zone and 3D Theater space will be housed in the InfoComm 3D Pavilion. 
Investment: $10,000 for a 1500 NSF area.

Exhibition link: http://www.insightmedia.info/conferences/3dcomm-exhibition.php

For complete theater details, contact: Insight Media, Dian Mecca, 
(203) 831-8464, dian@insightmedia.info

“Glasses-based and no-glasses 3D solutions continue to improve each year,” said Chris Chinnock, President, Insight Media. “In 2011, we expect to see improved products and more opportunities to sell, install and maintain these systems. 3D Comm is an educational event geared to those with an interest in 3D – content creation, system design, display technology, system installation and venue/business opportunities. You can choose from about 24 classes on all aspects of 3D to learn what you need from unbiased and informed instructors. If you want to learn about 3D technology and opportunities, this is the most cost effective way you will find to achieve that goal.”

Contact: Insight Media, Dian Mecca, (203) 831-8464, dian@insightmedia.info

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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