News Stories

Doremi Cinema’s IMB technology was the catalyst to present James Cameron’s demonstration of 48 and 60 frames per second (fps) at CinemaCon 2011

“I fully intend to make the rest of my movies at a higher frame rate,” stated James Cameron
[Press Release]
Doremi Cinema, the leading manufacturer and developer of digital cinema server technology receives tribute from Oscar-winning filmmaker James Cameron for its fundamental role in the exclusive demonstration of high frame-rate content delivery for future films. The demonstration entailed a 3D clip that was presented in 24fps, 48pfs and 60pfs to a vast audience during the CinemaCon 2011 convention held at Caesars Palace.
Doremi has been a developer of digital servers for over 25 years, and has been poised for such a challenge due to the immense engineering experience made available throughout years of ever changing standards and market requirements. The foresight shown by Doremi two years ago to include high frame rate play out and alternative inputs on their IMB proved once again that Doremi is in synch with the creative community and film distributors alike.
The 48 and 60 fps demonstration was a unique attempt to extend today’s technological accomplishments to better serve cinema patrons by achieving higher quality movies, and was indicative of the accessible resources made available by Doremi. These higher frame rates open a new dimension for filmmakers. Mr. Cameron supports this notion by commenting, “for the next two Avatar movies, I want to display a higher frame rate, 48 or 60 frames per second.
“Since inception, it has been our company’s vision not only to comply with the industry’s standards, but to also be one step ahead by offering future proof solutions. I believe that the spectacular demonstration by James Cameron attests to that vision” commented Michael Archer, Vice President of Doremi Cinema.
Both Doremi divisions, Cinema and Broadcast, have been actively engaged in the process of delivering content at the desired frame-rate (48 & 60fps) by utilizing combined resources and products. The process of achieving such a high frame rate for the 3D content was overcome by utilizing two (2) synchronized V1HD-2K™ Doremi servers to play back the left and right eye respectively. Doremi’s IMB, was the integrated media block used in the Christie® Digital Cinema Projector during the demonstration resulting in the pristine quality that James Cameron has envisioned. The Doremi IMB features multiple input selections including HDMI with HDCP support, PCIe connection, and Dual 3G SDI inputs which accommodated the higher bandwidth required for the 2K 60fps display projected during the demonstration.

See the original press release here: http://www.dcinematoday.com/dc/pr.aspx?newsID=2297

Local firm takes mapmaking software worldwide (3D cartography)

[By Sean Manget , Alaska Journal of Commerce]

An Anchorage company that sells stereoscopic mapmaking software and equipment recently acquired contracts with entities in Ethiopia, Saudi Arabia and Bangladesh, said general manager Jeffrey Yates.

DAT/EM Systems International sells software and hardware that allows clients to create three-dimensional maps. In its latest iteration, its software, Summit Evolution, allows a user to don 3D glasses and trace a map for use in AutoCAD and other engineering programs.

DAT/EM currently services roughly 500 clients in more than 70 countries, he said. Uses for the mapping range from tasks like construction surveying to damage assessment in the wake of natural disasters.

In Ethiopia, the country’s Ministry of Urban Development paid roughly $771,000 for licenses so it could gather an inventory of 150 villages, Yates said.

“They’re just kind of getting an inventory of what’s there, what the infrastructure is like, probably so they can go out and tax people,” he said.

The Saudi government and several branches of the military have taken a contract for roughly $508,000.

DAT/EM maintains nearly 100 licenses to various entities throughout Saudi Arabia, Yates said, including oil industry interests like state-owned petroleum company Saudi Aramco, as well as educational ones at King Abdulaziz University in Jeddah, Saudi Arabia.

The university designed a curriculum around DAT/EM software, Yates said.

A $200,000 contract in Bangladesh rounds out the company’s recent international contracts. Yates said the contract is for a survey similar to the one in Ethiopia.

The company saw its genesis in 1987, though Yates said the idea came about two years prior.

The company was spun off into a subsidiary by a map-making firm now called AeroMetric Inc. AeroMetric buys licenses from DAT/EM but maintains separate branding for the company, Yates said.

The first machine Yates used to make maps while working for AeroMetric looks like something out of a Jules Verne story: as the user peers through a microscope-like viewer, wheels and metallic parts grind and turn as the user traces a map composited from two negative aerial photographs.

This $80,000 to $100,000 monstrosity, which takes up the entirety of a desk, eventually gave way to machines that could be loaded with software developed in-house and sold to other firms.

This became DAT/EM’s business model.

In 2001, the company replaced the bulky machinery it had been selling with software that could run on Windows-based PCs.

Since 1998, that software has gone through three versions. The latest version, Summit Evolution, retails for $20,000, Yates said.

In addition to clients in Africa and the Middle East, the company also services clients in Asia, with entities in countries like India, Thailand and Japan licensing the software.

When asked if their Japanese clients had been affected by the earthquake, triggering a tsunami that destroyed areas along the country’s coastal regions, Yates pointed to a picture a client sent him from Sendai, Japan.

It shows an office virtually destroyed by the quake, with wrecked computer equipment strewn about the room. A DAT/EM mousepad is visible amid the damage.

“We have a very large client in Japan, and lots of small ones, too,” Yates said. “They were affected directly by the quake, and I imagine they are doing a lot of the quake assessment as well using our software.”

Marketing their services often requires a personal touch, Yates said, and DAT/EM personnel travel the world to meet with potential clients. A world map displayed in their headquarters is littered with thumbtacks demonstrating the places they’ve visited.

Utilizing the unique image of Alaska helps the company to stand out from the rest of the pack, Yates said. Mouse pads the company provides with its hardware feature Alaska scenery.

“We capitalize on the mystique of Alaska,” he said.

Despite its relatively small size – the company employs 12 people and recently grossed between $3 million and $4 million – DAT/EM has become a significant exporter in Alaska, Yates said.

In fact, in 1993, the company was named “exporter of the year” by then-Gov. Walter Hickel.

Last month, DAT/EM Systems International issued its 2,000th license, Yates said.

Now, roughly 60 percent of the company’s services are exported to other countries, with the remaining 40 percent going to domestic clients, Yates said.

Alaska is not a huge market for DAT/EM products, he said, but some local companies use them.

Anchorage Sand and Gravel contracts with AeroMetric to take aerial surveys of its rock quarries at the end of each construction season to determine overall inventory, said Stanton Moll, the company’s business development manager.

“They measure the volume of those piles,” Moll said. “And then that’s their inventory for tax purposes and for sales purposes.”

But while the company’s expanding clientele encompasses a variety of countries in sometimes volatile regions of the world, Yates said he still considers the ethics of dealing with a given country before signing the contract.

Yates singled out Libya as a country he wouldn’t do business with now, and some countries, like North Korea, are absolutely blacklisted, he said.

Sean Manget can be reached at sean.manget@alaskajournal.com.

See the original story here: http://www.alaskajournal.com/stories/041411/loc_lftms.shtml

 

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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