News Stories

True3DPT: Professional Stereoscopic 3D Presentation Software

4.6.2011

[Philip Lelyveld comment: this product lets you create 3D powerpoint-like presentations]

[from website]

True3DPT is world’s first stereoscopic 3D presentation software that     enables you to easily integrate all types of 2D and 3D contents into one presentation file and demonstrate it on modern 3D displays. From now on, no need to prepare separated slides, photos and videos for one presentation anymore. Let True3DPT to help you streamline the complex preparation work and effectively present various stereoscopic 3D contents. Smoothly, flawlessly, on any occasions.

 

 

Cutting-edge Stereoscopic Layer Technology

-Convenient 3D editing

-Insert left & right stereo 3D image/video pairs in the slide

-Total control over the depth of S3D objects (x- & y-axis)

 

Realtime 2D to Stereo 3D Conversion

-Enables users to freely transform 2D objects to real 3D “pop-ups”

-Add WOW stereoscopic effects to all ordinary slides

-Realtime 3D preview

 

All-in-one Streamlined Process

-Easily copy 2D contents from Microsoft PowerPoint files and paste into True3DPT slides

-Combine 2D pictures/videos with stereoscopic 3D contents in one file

-No more interruptions in the presentation due to jumps between separated slides and windows

See the full description, including system requirements, here:  http://www.true3di.com/3d-software.html

NAB: Redrover: World’s First 4K Stereoscopic 3D monitor will be Unveiled at NAB 2011

4.6.2011

 

[Press Release]

Redrover/True3Di, the innovative 3D technology provider of 3D Camera Rigs, Stereoscopic 3D Monitor and S3D Presentation Software, is going to reveal the World’s First 4K-S3D Monitor, a jointly development between Keisoku Giken Japan and Redrover Korea at NAB 2011.

The main exhibit, 4K Stereoscopic 3D monitor 27.8” HD-SDI utilizing half mirror technology, will empower an astonishing experience of Ultra High Definition 3D images/ motion pictures (resolution 3840×2160) as first time in the world for users in 3D production, post production and digital filmmaking.

Redrover will also showcase its 2011/2012 new product lines – 3D camera rig series including micro/ extra large side-by-side 3D rigs, versatile/ sturdy/ light-weighted beam-splitter type mirror rig, 12” HD-SDI 3D field viewfinder, and True3DPT, a powerful stereoscopic 3D presentation software with the latest cutting-edge S3D layer technology that vivifies an ordinary 2D PowerPoint slide with real 3D visual impacts by its convenient 3D editing, real-time 2D to Stereo 3D Conversion, and real-time 3D preview functions.

Redrover will be demonstrating at NAB 2011 in Las Vegas, April 11-14, Booth #C12431. Please visit us at the booth or contact sales@true3di.com to schedule a meeting.

See the original post here: http://www.businesswire.com/news/home/20110405006747/en/Redrover-World’s-4K-Stereoscopic-3D-monitor-Unveiled

 

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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