News Stories

Arnie unveils 3D ‘Governator’ pic

[By STEVE CLARKE, Variety]

Arnie is returning to the movies with a 3D toonpic based on his new superhero TV skein “The Governator,” skedded to be released in the first quarter of 2013.

In what was one of the least well-kept secrets in recent TV history, Arnold Schwarzenegger was in Cannes to launch his showbiz comeback, “The Governator.”

The program is a 52-part tyke toon aimed at the global market featuring his “signature” voice and computer-generated likeness.

Print and digital versions of “The Governator” are due to bow before the movie version emerges in two years’ time.

A full merchandising roll-out is also envisaged.

Show is the result of a partnership between comic icon Stan Lee, A Squared Ent., Archie Comics and Schwarzenegger.

The toon mixes comedy with classic superhero antics.

Story begins a few days after the former governor of California ended his term.

Instead of opting for a quiet life, Schwarzenegger’s alter ego, the Governator, decides to take on the bad guys.

Inevitably, our hero leads a double life.

His day job as an avenging superhero is so secret that not even his wife knows.

So in true Clark Kent-style, animated Arnie is also a regulator family guy who needs to change out of his alias in order to be home in time for supper.

Speaking at a packed press conference at Mip TV, Schwarzenegger said that while auds could expect action by the bucket-load from the new toon, there would be zero violence.

He said: “In my movies, a lot of heads come off and a lot of blood is splattered about, but not in ‘The Governator.’

“There’s more action than you’ve ever seen before, combined with comedy, but no violence.

“There are a lot of positive role models in this show. We show teenagers being empowered.”

“The Governator” will be produced A Squared Ent., founded by Andy Heyward and Amy Moynihan Heyward, whose credits include “Secret Millionaire’s Club,” “Giselete and The Green Team” and “Martha and Friends,” an animation focusing on a 10-year-old Martha Stewart.

The firm will also manage global licensing and distribution.

Prior to the press conference, Schwarzenegger was presented with the Chevalier of the Legion d’honneur by French culture minister Frederic Mitterrand.

Schwarzenegger recalled how he had first attended the Cannes Film Festival in 1977, where despite skepticism that he had what it took to be a movie star he proved the naysayers wrong.

“Cannes was a great help in my career,” Schwarzenegger remembered.

“People said I wouldn’t get on in the movie biz because my body was too big, my name too long and I had an accent. But Cannes made me feel at home.”

See the original post here: http://www.variety.com/article/VR1118034907?refCatId=19

 

NAB: HPA Award Winners, “Best of Tech Retreat” Set For NAB Post Pit

[Press Release]

Winners of special honors from the 2010 Hollywood Post Alliance® Awards, and highlights from the HPA’s renowned Tech Retreat, will be featured in NAB’s Post Pit on Wednesday, April 13, 2011. The HPA Judges Award for Creativity and Innovation in Post Production, the Engineering Excellence Award and “Best of Tech Retreat” winners will all be featured from 10:00am to 4:00pm, at the Post Pit in the South Hall, booth number SL12205.

The National Association of Broadcasters joined forces with the Hollywood Post Alliance to sponsor the 2010 Engineering Excellence Award and other initiatives of the Los Angeles-based group. The Hollywood Post Alliance supports a global network of post production companies and individual members, and the HPA Awards™ were designed to foster awareness of post production, promote creative and technical excellence, and recognize the achievements of post production talent.

The NAB Post Pit brings together the users and creators of the most savvy and dynamic post-production software available. The HPA® Highlights for the Post Pit are:

  • Digital Vision: The Leading Edge and Open EXR Workflow – The Benefits of Using High Dynamic Range (HDR) within a Postproduction Pipeline
  • Gradient Effects: GLoW Production Planning System for 3-Dimensional “Digital Fingerprints”
  • LIGHTIRON Digital: LivePlay: iPad Video Playback
  • Cine-Tal: Monitor & Projection Metadata in Production and Post
  • Sony Electronics: Development of OLED Technology For Video and Film Production Applications
  • Interoperable Mastering Format (IMF)
  • FotoKem: nextLAB Mobile
  • Reliance MediaWorks: Custom Image Processing for Film, Video, and Digital Sources
  • Nexidia: New Technologies for Production Efficiency and Asset Monetization
  • 1 Beyond, Inc: New 2D/3D Digital Workflow Products for Production & Archiving
  • DVS and Salesforce: IMF Deliverables Utilizing SOAP WebServices and Cloud-based Workflow Controls

The 2011 HPA Awards will be held November 10, 2011 in a gala ceremony at the Skirball Cultural Center in Los Angeles. The Call for Entries will be announced soon, (or will open on May 16, 2011) and information on previous award shows can be found athttp://www.hpaawards.net. Information on the 2011 HPA Awards will also be provided there, as it becomes available.

For more information please visit http://www.hpaonline.com or call the HPA at 213.614.0860 or write info@hpaawards.net.

See the original post here: http://news.creativecow.net/story/865971

 

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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