News Stories

IOGEAR executive explains new Wireless 3D Media Kit

[By CE Pro Editors] [Excerpt]

Can you explain why IOGEAR developed and introduced its new Wireless 3D Media Kit? Does IOGEAR see the need for 3D continuing into 2011 and beyond?
After reviewing the product offerings from top-tier TV, Blu-ray and other device manufacturers leading up to CES 2011, we determined 3D is a trend that will only grow in significance. The Wireless 3D Media Kit is another example of IOGEAR’s commitment to innovation.

What are some other products that installers can look forward to seeing from the company in 2011?
IOGEAR will be releasing its AVIOR series line of professional A/V distribution products with 3D support ranging from wired to wireless solutions. This is an important development for our company since it marks the biggest commitment we’ve ever made to the custom install and CEDIA market. Much research, development and planning have gone into making this a meaningful launch for dealers and installers who may have never worked with IOGEAR before, but can expect to see us around for a long time.

Read the full interview here: http://www.cepro.com/article/qa_ruben_lugo_iogear/

Penthouse 3D secures carriage on Free

[by Robert Briel, broadbandtvnews.com]

Penthouse has secured its first European carriage agreement for the distribution of the Penthouse 3D Channel. French IPTV operator Free has added the channel to its HD 3D commercial line up of programming with immediate effect.

Penthouse 3D was launched on March 1 and is available daily from midnight until 5:00 am CET via ASTRA 3B, 23, 5 degrees East. Additional agreement discussions regarding the new 3D Channel are underway and the company expects to roll out Penthouse 3D to additional carriers in the European marketplace in the upcoming year.

Free is the first operator in France to broadcast genuine 3D channels. Currently, Free provides its subscribers with access to a wide range of 3D content: movies, series, concerts and documentaries. The Penthouse 3D Channel and other 3D and VOD services will be available to Free and Alice subscribers equipped with a HD TV box, which provides access to 3D without requiring any specific upgrade.

“We are very excited to launch the first adult 3D channel in France,” said Marc Bell, CEO, FriendFinder Networks, owners of the Penthouse TV channels. “We look forward to our partnership with Free and the opportunities for the Penthouse 3D channel.”

See the original post here: http://www.broadbandtvnews.com/2011/03/18/penthouse-3d-secures-carriage-on-free/

 

< PREVIOUS ARTICLES NEXT ARTICLES >

Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

Oops, something went wrong.