News Stories

New Products Take Pressure Off TVs

Sales of audio, AirPlay, home control fill gap

Directors of some of the industry’s top buying groups recently spoke with Dealerscope’s Nancy Klosek on a variety of topics, including 3DTV sales, new partner programs and predictions for 2011 sales. For the full interviews, please see the upcoming March issue of the magazine.

[by www.dealerscope.com]

Dealerscope: Is the most important product to the majority of your dealers still TVs or has another category replaced it?

Dave Workman: A quiet category doing very well is audio. It’s been a consistently positive performer through 2010.And 3D does help audio sales, as consumers need HDMI switching capability and are looking at things like soundbars, simple 3.1- and 5.1-channel systems, and wireless multi-room systems. You’ll also see the Apple AirPlay in quite a few receivers and clients in 2011 that will allow the building of wireless audio systems, and it will all need to be explained.

Richard Glikes: The two hottest things other than TV are control – that’s very hot – and Apple AirPlay. You’ll see AirPlay everywhere, and it will be included in everything … boom boxes, receivers.

Mike Decker: HDTV, connected TV and 3DTV will still make up the majority of our TV sales. Also, new product categories such as tablets, home health care and Disney-related products will support new streams of revenue and profit for our membership.

Bob Lawrence: Video has always been a cornerstone, and the other emphasis is to drive the connected home.As energy prices rise and variable-rate electric meters are being installed in homes, people will need to adjust to this different way of being billed – and they will want to control their homes in a much different way. It used to be $30,000 to $50,000 to have a connected home; today, it’s $8,000 to $10,000, still high, but more accessible. And you can achieve for what many is an adequate amount of control for $2,500 or $3,000.

Jim Ristow: There are two main categories. One is the connected home in general. Whether the ecosystem consists of smartphones, tablets, PCs, audio, lighting or HVAC control, all are connected and controlled and will become mainstream. New business models are emerging as we speak, well beyond $30,000-to-$50,000 systems that used to define the category.

It’s a new market, and it’s beyond boutique. Our members are poised to ride that wave.These solutions are difficult to execute in box stores. There is also a resurgence in sound. Better sound is being revitalized as a consumer interest, but in a non-traditional way.

 

 

See the original story here: http://www.dealerscope.com/article/sales-audio-airplay-home-control-fill-gap-tv-sales/1#utm_source=dealerscope.com&utm_medium=home_page&utm_campaign=news-tab

 

Webinar: Adventures in 3D Live Production and Editing

Free. Produced by EventDV and Grass Valley.  Wed., March 30th, 2pm pst / 5pm est.

In an era when DSLRs put filmlike production values into the hands of event videographers, ambitious professional producers at all levels are starting to recognize that more and more of what they see on the big screen is well within their grasp. And so it is with 3D, thanks to usable and affordable (or at least rentable) pro and consumer 3D cams, and mainstream nonlinear editing applications with simple, powerful, and manageable 3D features. But who is out there doing 3D productions, what kind of work are they doing, and how are they getting it done?

In this free webinar brought to you by Grass Valley and EventDV, you’ll hear real-world stories of 3D production and editing and get a reality check on the opportunities out there now for doing 3D work, and the skill set and tools you’ll need to pursue it.

Leading off, we’ll have Abraham Joffe of Untitled Films, one of the first wedding filmmakers to produce and deliver a wedding in 3D. Joining Abe isJohn Ellerbrock of Gates Housings, who has developed underwater housings for the Panasonic 3D-A1, and has been capturing stunning underwater 3D footage.

The webinar will feature live streamed audio and video clips, so turn up your speakers and fire up your widescreen displays!

Register here (DVEvent registration required): http://www.eventdv.net/Readers/Subscriber.aspx?Redirect=http://www.eventdv.net/webevents/register.aspx?eventid=335%7Csrc=edvb

 

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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