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3 new blockbusters in 3D VoD on Orange TV

[Press Release, www.orange.com]

Orange TV is further strengthening its 3D VoD service

Under an agreement with Paramount Pictures, Orange is offering three new 3D movies on its Video on Demand service: DreamWorks Animations’ “Shrek forever after”, “How to Train Your Dragon” and “The Last Airbender”

Pioneering the development of 3D TV with the creation of a dedicated channel in 2010, Orange took a further step forward in December last year with the launch of a 3D VoD service on Orange TV.
Since the beginning of February, Orange’s 3D VoD offering has been further strengthened with three new hit films, available for €7.99 on its Video on Demand service:

“Shrek, forever after”, the final installment in the Shrek series, one of DreamWorks Animations’ hugely successful animated family movies, seen by almost 4.5 million cinemagoers.
“How to Train Your Dragon”, a critically-acclaimed fantasy Viking tale produced by DreamWorks Animations, attracting more than 2.3 million spectators in cinemas.
“The Last Airbender”, the blockbuster action movie directed by Night Shyamalan and seen by over 1.1 million people on the big screen.

This service is available to Orange broadband customers with High Definition TV, equipped with a 3D screen and glasses.
These three films are also available in 2D VoD for €3.99 on the Orange TV Video on Demand service and on the orange.fr portal

find out more about Orange and 3D: check out the interview with Ghislaine Le Rhun, head of Orange’s 3D project

See the original post here: http://www.orange.com/en_EN/press/press_releases/cp110307en.jsp

EVS servers offer more 3D tools

[no author given: StereoscopyNews.com]

At this year’s NAB EVS (Belgium) will introduce its latest solutions including new live sports 3D production tools that allow graphic inserts and live 3D editing. IPEdit, EVS’ live editing tool, will be presented with its new 3D feature that allows it to work instantly on live 3D feeds recorded on EVS XT series server for rough cut or highlights editing.

HyperMotion & 3D SuperMotion Live Replays: EVS will present its latest integrations with third-party HyperMotion systems and will unveil 3D SuperMotion replay on its XT-LSM platform.

Read the paper here in 3DRoundabout. EVS 3D production servers are here on the web.

See the original post here: http://stereoscopynews.com/hotnews/3d-technology/software-a-hardware-tools/1338-evs-servers-offer-more-3d-tools.html

 

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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