News Stories

Things you should know about `RA.One` (Major Indian 3D SciFi Feature)

[Zee News]

Every one knows that “RA.One” is Shah Rukh Khan`s most ambitious sci-fi superhero film that is coming out on Diwali Wednesday. Here are some more tidbits about the much awaited film:

* The film is releasing in more than 3,000 screens in the domestic market in 2D and around 500 screens in 3D. The film has been dubbed in Tamil and Telugu and it will also make inroads in South Korea and Hongkong, where Bollywood movies are not so popular.

* Shah Rukh has roped in Oscar winner Resul Pookutty for the special sound effects. The team went to Los Angeles get the sound effects done for the film.

* Jeff Kleiser of 1994 Hollywood film “Stargate” was hired as the supervisor of visual effects.

* Nicola Pecorini of “Loathing in Las Vegas” fame is the director of photography, while the film is edited by Academy-award winner Martin Walsh.

* It has 3,500 VFX shots, which could mark a new beginning for the use of the technology in Indian films.

* The task of adding special effects was outsourced to multiple specialty studios including in London, Paris and Bangkok, as also in the US.

* Dolby surround 7.1 system has been installed in several multiplexes in the run-up to the sci-fi`s release.

Read the full story here: http://zeenews.india.com/entertainment/movies/things-you-should-know-about-ra-one_99002.htm

'Comin' at Ya 3D' throws everything at the screen (review)

[Film School Rejects]

There have been 3 distinct periods of prevalent 3D films in cinemas, one in the 50s, one in the 80s, and the one in which we currently find ourselves. And one of the films that helped kick of the 3D revival in the 80s was a spaghetti western called, rather appropriately, Comin’ At Ya 3D.

It should be stated upfront that Comin’ At Ya 3D is first and foremost about the 3D gimmick. …

The Upside: The 3D generally looks very good and the film itself is a lot of fun.

The Downside: The gimmick does get a bit old sometimes and the Western story is fairly basic. The 3D image seemed just slightly too crossed to me which may make it more difficult to watch for some viewers.  …

See the full review here: http://www.filmschoolrejects.com/reviews/fantastic-review-comin-at-ya-3d-throws-everything-at-the-screen-lmull.php

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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