News Stories

Now, watch different stages of love in 3D

[IBN Live (India)]

This could shake the prudish souls off their wits. Ananga Ranga, an ancient classic erotic literature in Sanskrit, is going 3D.

Young filmmaker Rupesh Paul’s upcoming project Kamasutra 3D is a period movie based on a sex manual written by arch-poet Kalyana Malla, related to the Lodi Dynasty, which ruled Delhi from 1451 to 1526. Malla wrote the script in honour of Lad Khan, son of Ahmed Khan Lodi.

The original work was translated by Sir Richard Francis Burton (he also translated Kama Sutra) in 1885 and was published as� Ananga Ranga.

The eye-popping success of the recent Chinese 3D porn film Sex and Zen is a major source of inspiration for doing the project, Rupesh Paul said.

“3D appears the best format to portray classic erotica, but it was hardly experimented till recently. It had remained as a tool to give the biggest jolt in horror movies. Nobody predicted that the Chinese stereoscopic porn would be a major hit. In fact, it outgrossed 3D film Avatar. …

Read the full story here: http://ibnlive.in.com/news/now-watch-different-stages-of-love-in-3d/185575-60-116.html

To 3D Or Not To 3D: Choose The Right Lion King 3D Ticket

[CinemaBlend]

Final Verdict: Considering the fact that directors Roger Allers and Rob Minkoff didn’t have 3D in mind while developing The Lion King, I would say that the post-conversion is a success and I can recommend that people go see it. Let’s also remember that it’s not every day we can see one of the best Disney films ever back on the big screen, so you should probably take advantage of that.

Read the full review here: http://www.cinemablend.com/new/To-3D-Or-Not-To-3D-Choose-The-Right-Lion-King-3D-Ticket-26805.html

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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