News Stories

Orange is Preparing to Launch a 3D Channel on Dailymotion

[3D Vision Blog]

It seems that the mobile operator Orange has plans to introduce a dedicated online 3D channel on Dailymotion from early 2012 that will be especially for user-generated stereoscopic 3D content. It is a part of the plan to engage Orange 3D channel subscribers in a multi-screen strategy on tablets and smartphones which will enable them to view 3D content seamlessly on different devices including mobile ones with 3D support. The initiative follows the recent acquisition of 49% of online video sharing service Dailymotion for about $80 million USD earlier this year (Orange will also have the option of completely acquiring the venture in 2013). Dailymotion is considered to be the second largest online video sharing website worldwide after the Google owned YouTube, and Dailymotion is even more popular in some European countries.

…  Orange is one of the mobile operators offering to its customers the 3D-capable LG Optimus 3D smartphone (LG has already partnered with YouTube for dedicated 3D channel) that features an autostereoscopic 3D display that allows the watching of 3D content without the need of special glasses.  …

Read the full story here: http://3dvision-blog.com/orange-is-preparing-to-launch-a-3d-channel-on-dailymotion/

Get [Norway] first with 3D rental

Get has become the first cablenet in Norway to offer on demand movies with the 3D format. A survey by the operator suggested 7 out of 10 Norwegians would like to see 3D content in their home.

“Get customers already have the largest choice of movie rentals from their remote control, and from today, customers yet have another opportunity for entertainment with the launch of the 3D movie library, said Gunnar Evensen, CEO of Get.

First out are Sammys Adventure 3D, Street Dance 3D and Saw 7 3D, while The Hole 3D, Piranha 3D, Sanctum 3D and Alpha & Omega 3D are slated for the autumn.

The 3D movies are priced on a par with other content on the Get system.

See the original post here: http://www.broadbandtvnews.com/2011/08/12/get-first-with-3d-rental/

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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