News Stories

Kenny Chesney Summer in 3D’ is great (review)

4.30.2011

[by Jeff DeDekker, Regina Leader-Post, Canada]

Kenny Chesney Summer In 3D

(2D version of the 3D theatrical release)

Image Entertainment

Rating 4 (out of five)

Before heading out on his Sun City Carnival tour in 2009, country music superstar Kenny Chesney had already decided not to tour in 2010. So to fill the void for his legion of fans, Chesney chose to film his Sun City Carnival tour for a theatrical release in 3D. While the DVD doesn’t quite pack the same punch as the 3D movie, it’s still an impressive look the big-stadium circus, with Chesney as the ringleader.

Filmed in Seattle, Foxboro, Pittsburgh, Indianapolis and Philadelphia, Summer In 3D presents the full spectacle of a live Chesney show -the huge video screens, the massive staging and the amazing lighting. The disc includes 20 songs, along with four bonus tracks, featuring such hits as “She Thinks My Tractor’s Sexy,” “Living In Fast Forward,” “Anything But Mine,” “Out Last Night,” “Beer In Mexico” and “I Go Back.”

Filmed from a wide array of camera angles, Summer In 3D has a striking look, which does well to capture Chesney’s passion and love for what he does for a living.

If you’ve seen Chesney perform, this disc won’t show you anything new, but it will provide you with a personal glimpse of Chesney through a series of voice overs that serve as segues between songs.

Chesney speaks of chasing his dream, the unfolding of life and the impact of his fans and, yes, he seems genuinely grateful for his success.

He speaks often about his fans and claims they are fully entwined in his life. At one point, Chesney explains, “These songs are a part of the fibre of who (the fans) are . This isn’t just music or a party. It’s their lives.”

That may sound a little pompous but I’m sure many Chesney fans would agree wholeheartedly with the statement.

See the original post here:  http://www.leaderpost.com/entertainment/movie-guide/Summer+great/4703361/story.html

Tron: Legacy now available in Blu-ray 3D

4.19.2011

 

[from StereoscopyNews.com]

For the most part, the five discs in the Tron: Legacy box and their associated features are impressive, if predictable. Both films look fantastic, and each comes with a bevy of behind-the-scenes featurettes, commentaries and other innovative features.

One film was meant to break new ground, and became celebrated for its concept. The other took that concept and gave it a fresh look (and notably, an incredible soundtrack from Daft Punk). Instead of breaking new ground, “Tron: Legacy” became a popcorn film, and there’s certainly nothing wrong with that. Read the paper explaining the ‘Tron’ concept here in Desert News.

The Amazon offer for the five-disc combo is here (49.99$).

See the original post here:  http://stereoscopynews.com/hotnews/storage-a-support/3d-blu-ray/1441-tron-legacy-now-available-in-blu-ray-3d.html

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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