News Stories

Disney’s Tangled Blu-ray 3D Release Date and Details

Disney’s latest animated fairytale Tangled is unfurling its hair and coming to Blu-ray 3D, Blu-ray and DVD on March 29.

The Blu-ray 3D version of Tangled will be packaged as a four disc set that includes the 3D version of the film on disc one, the 2D version and bonus features on disc two, the DVD version and a duplicate bonus features on disc three, and a digital copy on disc four. Both the Blu-ray 3D and 2D discs will present the feature film in 1.78:1 1080p video and 7.1 DTS-HD Master Audio.

With the exception of Original Storybook Openings, the remaining bonus features will all be exclusive to Blu-ray. Right now I only have a partial list to share that includes 3 Deleted Scenes; Untangled: The Making of a Fairy Tale; two Extended Songs; and nine Theatrical Teasers.

There is currently a pre-order promotion for the Tangled Blu-ray 3D combo pack at Amazon.com that will kick back $10 if you pre-order Tangled and another eligible title. The offer ends April 4 with more information available on the Tangled page at Amazon.

Click here to pre-order the Tangled Blu-ray 3D Combo Pack for $29.99 at Amazon.com.

Original post here: http://www.thehdroom.com/news/Disneys-Tangled-Blu-ray-3D-Release-Date-and-Details/8218

How Blu-Ray Could Speed up 3D TV Adoption

Remember the videotape format war between VHS and Betamax in the 1970s and ’80s? When wide adoption of a new consumer packaged-media format is at stake, format launches aren’t always smooth.

Blu-ray Disc is the latest example. It struggled out of the gate in 2006 while engaged in a fierce battle with HD DVD to become the high-def format of choice, a contest it won in 2008 when HD DVD conceded and manufacturers ceased production.

Now, just a year after its introduction at the 2010 Consumer Electronics Show, 3D Blu-ray is leading the charge to bring 3D — the next frontier for packaged media — into the home….

During 2010, 3D production workflows, 3D subtitling
systems, authoring systems and related processes
had to be developed in order to fill the content
pipeline.

In year two, consumers might begin to see more
sophisticated 3D menu design.

Read the full story by ETC reporter Carolyn Giardina here: http://abcnews.go.com/Entertainment/wireStory?id=12533731

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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