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Sports Illustrated: Swimsuit 2011: The 3-D Experience Blu-ray 3D Review

[By Ian White, Big Picture Big Sound]

Rolling like a sugar donut in the sand

The Film

When I was a teenager, the second most exciting day of the year (most exciting being the first game of the NHL Playoffs…what do you expect from a Canuck?) was the release date for Sports Illustrated’s savory Swimsuit edition. Raised in a strict home, it was unlikely that the issue that was mailed to my house would not be tossed into the trash before I could get home from school to flip through it; I used to run down Toronto’s St. Clair Avenue to buy it from a local drugstore on my way home from school.

Sports Illustrated was always the best sports publication; even if its coverage of ice hockey was rather spotty, but nothing sold better than the Swimsuit issue. Kathy Ireland was to drool over; not that Elle MacPherson, Chery Tiegs, or Cindy Crawford were tough on the eyes either. The models may have stayed as hot as ever, but the medium has changed drastically over the past few years. Print is old school. Blu-ray 3D is here to stay. Sony seems to agree because they invested a lot of money into Sports Illustrated: Swimsuit 2011: The 3D Experience; a 30-minute extravaganza on the gorgeous beaches of Maui.

Women rolling around in the sand in a bikini is not exactly going to win any awards for originality, but the production quality of the presentation raises the bar on this release; it is one of the best looking live-action Blu-ray 3Ds so far. Sports Illustrated and Sony took the high road with this one and while I wouldn’t leave this running with the in-laws over for dinner, it isn’t objectionale from a nudity perspective.

Irina Shayk, who graced this year’s prestigious cover, is a Russian beauty with smoldering eyes and it isn’t hard to figure out why SI loves her so much. The real stunner on the disc, however, is veteran Julie Henderson whose interpretation of a rolling sugar donut on the beach had me reaching for the remote whenever I heard the footsteps of approaching children. The dialogue is rather pointless; the three models repeat the same spiel over and over and you’ll want to turn the volume down and just enjoy the show. Pornography, this isn’t and shame on anyone who tries to lump it into that category. Voyeurism and mindless fun can’t be all bad.

The Picture

 

Whatever you may think of the content, there is no question that the image quality of this release is first-rate. There is certainly some softness to the image, but the three models look gorgeous throughout; superb clarity and detail, and fantastic color saturation levels. Hawaii is stunning to behold and the entire production makes one want to hop on a plane and vacation in Maui. The camera work is excellent; And, as I mentioned, Julie Henderson’s crawl through the sand had me reaching for the remote; to watch it for the fourth time (to better judge the image quality of course).

The 3D quality is generally quite consistent, although I was expecting more depth from the image; the lava beds look rather flat compared to the foliage. All three models pop off the screen, but you won’t be reaching forward to caress their sun-tanned skin; not unless you want to fall off your chair and look like an idiot in front of your wife. The image has zero crosstalk. It is one of the best Blu-ray 3D discs so far from that perspective. Rock solid image. Black levels are also quite strong and natural looking. The adult film industry should take a close look at the image quality of this release before it releases some half-hearted films in 3D. Kudos to the cinematographer for such excellent technical work.

The Sound

The DTS-HD Master Audio 5.1 mix is quite punchy, consisting mostly of background music and the occasional wave slapping up against the beach. Dialogue is clear and crisp, but is anyone really going to listen to the dialogue on a disc like this more than once?

The Extras

Blu-ray 3D releases have been rather spartan of late when it comes to bonus content, and this disc is no exception. Not even a series of images from the shoot in Maui. Zilch.

Final Thoughts

It is hard to knock Sports Illustrated for offering its swimsuit issue in HD 3D; it knows its audience quite well and there are more than a few men who will find this production appealing. The image quality of this Blu-ray 3D is quite extraordinary and one of the best live-action Blu-ray 3D discs to be released so far which certainy gives it some value; even if the content is only mildly titillating, if not rather infantile. Recommended for the voyeur in all of us.

Product Details:

  • Actors: Irina Shayk, Julie Henderson, Alyssa Miller
  • Director: Jonathan Whitaker
  • Format: Widescreen, DTS, Subtitled
  • Video Codec: MPEG-4 MVC
  • Video Resolution: 1080p/24
  • Aspect Ratio: 1.78:1
  • Audio: DTS-HD Master Audio 5.1
  • Subtitles: English, English SDH, French, Spanish, Portuguese, Japanese, Russian, Dutch, German, Italian, Swedish, Danish, Norwegian
  • Number of Discs: 1
  • Rated: Not Rated
  • Studio: Sony Pictures
  • DVD Release Date: June 7, 2011
  • Running Time: 30 minutes
  • MSRP: $19.95
  • Extras: None

See the original post here: http://www.bigpicturebigsound.com/Sports-Illustrated-Swimsuit-2011-The-3-D-Experience.shtml

Disney launches 3D content in Indian home entertainment

[By: Nitesh Sharma, MM Network]

The Walt Disney Studio has rolled out 3D content in Indian home entertainment and with this move it has become the first studio to do so. The studio makes the debut with TRON: Legacy and Tangled that is releasing on Blu-ray 3D discs

Disney is also planning to release 16 titles in September 2011 and over 35 titles on Blu-ray 3D in 2012. September releases include title like Alice in WonderlandA Christmas Carol and Bolt.

Disney’s Blu-ray 3D discs will be priced at MRP of Rs. 1299 and available across 14 cities in leading retail outlets including Planet M, Crossword, Landmark, Reliance Time Out.

Walt Disney Studios India marketing and distribution executive director K. Seshasaye said that, Disney continues to provide consumers with greater entertainment choices and they were focused on making the experience more real and engaging. With the launch of Blu-ray 3D, they hoped to offer consumers a true 3-dimensional experience in the comforts of their homes.

See the original post here: http://www.mediamughals.com/News/1/1/Article/7590/Disney_launches_3D_content_in_Indian_home_entertainment.htm

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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