News Stories

In Depth: The top 10 3D movies you must own

[by Steve May, 3D Radar]

[excerpt]

After a faltering start, the 3D bandwagon is finally beginning to roll.

According to industry data muncher GFK, 100,000 3D TVs were sold during the first three months of 2011 – the same as the total number of 3D ready TVs shipped during the whole of 2010.

The software biz is also ramping up its support, with more top movies being released in the 3D Blu-ray format than ever before.

So what titles should you be watching on your new fangled three dimensional telly? Read on for our in-depth guide to the top 10 best 3D Blu-ray movies you must own…

See the full list here: http://3dradar.techradar.com/3d-tech/depth-top-10-3d-movies-you-must-own-16-06-2011


3D Movie Trailers

[by StereoscopyNews]

All movies below are visible on YouTube in 3D. Select the best resolution according to your Internet access speed and your 3D mode according to the 3D glasses you have at hand…

Movies are sorted by alphabetical order. This list will be updated on a regular basis and is accessible with the “3D Trailers” button on the home page of stereoscopynews.

Note: If you have Nvidia 3D Vision glasses, watch the trailers with Mozilla v.4 (or newer) and the latest Nvidia drivers.

See the original post here: http://stereoscopynews.com/references-links-books/3d-videos/1633-3d-movies-trailers.html

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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