News Stories

Student's Survey on Amateur 3D Competition

[StereoscopyNews]

Students from University of Liège (Belgium) are launching a survey about 3D amateur movies in order to set up a future international 3D shorts competition.

We are happy to forward you the invitation to participate to this Google Docs hosted survey.

3D-Survey-250px

Invitation text :

Dear Sir and Madam,

I am currently studying towards a Masters degree in Management at the University of Liège, Belgium. As part of my course work, I have been asked to develop a strategy for enhancing the production of 3D stereoscopic contents for cinema and television, this by calling upon amateurs active in the area of 3D through an international shorts films 3D competition.
We would be grateful if you could take the time to fill out the survey below. Your answer will be very valuable to us.
https://docs.google.com/spreadsheet/viewform?formkey=dGFWUzN4YUZ5NTZDX212dnNidFBGSmc6MA
For additional details about our competition and the motivation for it, please don’t hesitate to contact us at3dstereochallenge@gmail.com

Yours faithfully,
Logan MORAY, Master Degree in Management
University of Liège, Belgium.

See the original post here: http://stereoscopynews.com/hotnews/events/conferences-a-festivals/1905-students-survey-on-amateur-3d-competition.html

Report: Prices for giant 3D & flat-panel TVs contract

[Home Media Magazine]

…In 3DTVs, pricing in the 30- to 39-inch range dipped below the $1,000 level in August for the first time since the size group was made available in 3D in March. Other 3DTV sizes dropped in price from less than 1% in the larger than 50-inch size to 3% for both 30- to 39-inch and 40- to 49-inch models. …

See the full story here: http://www.homemediamagazine.com/hdtv/tv-prices-decline-slightly-august-25186

[My CE]

Flat-screen TVs saw just a $5 drop in price last month, bringing the average cost to $1,145. Models 50-inches and larger shed two percentage points. TVs in the 30-to-39 inch and 40-to-49 inch categories were down 1 percent and 3 percent, respectively.

The paltry figures weren’t noteworthy so much as the fact prices dropped at all, explained IHS.

The last time TV price tags declined was March.

Read the full story here: http://www.myce.com/news/report-prices-for-giant-3d-flat-panel-tvs-contract-52358/

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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