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BBC plans for 3D (2 stories)

BBC warning on 3D standards

[by Julian Clover, broadbandtvnews.com]

The BBC is maintaining its cautious stance on the development of Stereoscopic 3D broadcasting. In an update to its technology strategy, the BBC says much of the current hype has come from the success of recent movie titles and their imminent release on Blu-ray.

In a cautionary note, the BBC says the strategy is expected to have a lifespan that reaches only as far as mid-2012, by when either a full 3D strategy will have been developed, or current 3D standards will have failed to deliver.

The report states: “There is no standardisation of the technologies for acquisition, post production, contribution or distribution of S3D. This approach is likely to suit a smaller but better funded number of players in the movie industry. Within the broader, more diverse and often less well funded television making community a lack of standardisation would be a more significant issue; not just for S3D as a format but also in financial terms for the
producers and commissioning broadcasters.”

Reiterating previous statements that the corporation will not invest in 3D programme production, the BBC says it will continue to investigate the genre through limited trials and participation in standards making. Yesterday it was announced the Wimbledon tennis championships, where the BBC is host broadcaster, will be filmed in 3D. However, the project is being backed by the manufacturer Sony.

Meanwhile, a much more positive outlook is being given to high definition, which says the report will be “business as usual” for the BBC by 2012/13. The BBC puts this down to a combination of the benchmark quality level expected by the viewing audience and because the HD standard is one of the key enablers of the transformation to an efficient end to end digital TV operation

The BBC exclusively supports the 1920 x 1080 HD standard (so called Full HD by the consumer market) for programme making using a range of frame rates and the delivery of programmes with multi-channel audio (surround sound). The plan is for the BBC to work with other UK broadcasters to produce common delivery standards for tape and file based HD programmes. Only platforms capable of meeting a minimum standard will have HD branding.

Support continues for Red Button interactive services with plans to create broadcast and IP “hybrid” services, which include broadcast event driven interactivity on connected TV platforms. The document does not mention the YouView project, continuing the theme started by the BBC’s director of archive content, Roly Keating in his presentation to the DTG Summit on Friday.

Flash, MHEG and HTML will be used in presentation environments, which the BBC says will help it remain relevant on the emerging connected TV platforms.

The Future Media & Technology division will build interactive TV applications using the Krypton Framework and MHEG+.

see the original post here: http://www.broadbandtvnews.com/2011/03/08/bbc-warning-on-3d-standards/

 

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BBC plans 3D experiments in the run up to the Olympics

[By Rob Coppinger, www.theinquirer.net]

It’s unlikely to have an eye-boggling channel

EYE-BOGGLING 3D TELLY experiments will be conducted by the BBC over the next year, but it has no plans for a 3D channel during the Olympic Games.

In its technology strategy update blog post, the corporation has published its strategy document that covers 35 areas and refers to forthcoming 3D trials and its investigation into what the eye-boggling 3D technology means for the future.

Aunty Beeb isn’t too glowing in terms of this 3D future. Its strategy says that by mid-2012 there will either be a full BBC sterescopic 3D programme strategy being developed or nothing.

It says it will publish in due course what programmes, genres and events it will cover with the 3D trials. The INQUIRER strongly suspects that those poncy period dramas will be one of the genres involved.

But for now Aunty Beeb will only tell The INQUIRER, “The BBC is considering a small number of 3DTV editorial experiments in the lead up to the 2012 Olympics.” But this doesn’t mean the Olympics will be broadcast in 3D. Can this forthcoming debacle of Britain’s national humiliation get any more embarrassing?

The BBC’s technology strategy also states that up to 2012 the corporation will plan a capacity roadmap with Internet service providers. It probably needs to do this due to the network capacity busting impact of the Internet protocol telly widget Youview that the BBC is backing and plans to roll out in 2012.
See the original post here: http://www.theinquirer.net/inquirer/news/2032236/bbc-plans-3d-experiments-run-olympics

 

DVB-3DTV spec approved

The Steering Board of the Digital Video Broadcasting (DVB) consortium has approved the new DVB-3DTV specification, which will now be submitted immediately to the European Telecommunications Standards Institute (ETSI) for formal standardisation.

The specification specifies the delivery system for frame compatible plano-stereoscopic 3DTV services, enabling service providers to utilise their existing HDTV infrastructures to deliver 3DTV services that are compatible with 3DTV-capable displays already in the market.

The DVB-3DTV specification is also accompanied by the Subtitling Systems specification, which provides a mechanism that allows subtitles and other onscreen graphics to be best positioned so that they can be viewed correctly, as well as containing amendments to the Service Information specification and to the specification of audio and video coding over the MPEG-2 transport stream.

Plano-stereoscopic imaging system deliver two images (left and right) that are arranged to be seen simultaneously (or near simultaneously) by the left and right eyes, enabling viewers to perceive increased depth in the picture.  Many 3D-capable televisions and 3D channels and content services have been launched in the past 12 months, and approval of this new 3DTV specification will likely prove a key stepping stone towards a more widespread acceptance of 3DTV services.

The new DVB-3DTV specification and commercial requirements can be viewed here

See this original post here: http://www.iptv-news.com/iptv_news/february_2011_2/dvb-3dtv_spec_approved

This is the direct link to the 28 page document: http://www.dvb.org/technology/standards/a154_DVB-3DTV_Spec.pdf


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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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