News Stories

Graphic artists, engineers brainstorm makeover of 3D

[Philip Lelyveld comment: key quote from an otherwise redundant Siggraph story.]

[The Times of India]

… “Most of the new technology is about shooting and projecting at about 60 frames per second instead of the current 24 that 2D uses,” says Paul Salvini, chief technology officer of Christie, one of Canada’s top digital imaging companies that supplies 3D projection systems worldwide.  …

See the original story here: http://articles.timesofindia.indiatimes.com/2011-08-23/education/29918435_1_animation-siggraph-3d

ATSC Begins Work On Broadcast Standard For 3D-TV Transmissions

[Press Release -a story about this was previously posted here]

The Advanced Television Systems Committee Inc. (ATSC) has launched development of a three-dimensional (3D) broadcast TV standard that will provide methods for transmission of 3D-TV content to both fixed and mobile devices, the standards development organization announced today.

“The addition of 3D-TV over-the-air TV broadcast transmission is part of our ongoing effort to expand the capabilities of the ATSC suite of digital television standards,” said ATSC President Mark Richer.

The groundbreaking work on the new 3D-TV broadcast standard builds on the extensive efforts over the last year by the ATSC 3DTV Planning Team. This new standard, which could be completed in a year, will allow:

  • 3D content delivered on one ATSC terrestrial channel to fixed receivers, with delivery of both views (left and right eye) in real-time, and;
  • 3D content delivered on one ATSC terrestrial channel to Mobile/Handheld receivers, and delivery of both views in real-time.
  • 3D content delivered in non-real-time.

“The addition of 3D-TV capability to the DTV broadcast standard will foster new broadcast services while preserving the integrity of legacy TV receivers by adopting a system that allows for simultaneous delivery of 2D HDTV, Mobile DTV, and 3D programs within the same channel while ensuring backwards compatibility,” Richer said.

The effort will be led by Dr. Youngkwon Lim, representing the Electronics and Telecommunication Research Institute (ETRI) in Daejon, South Korea. Dr. Richard Chernock, of Triveni Digital and Chair of the ATSC Technology & Standards Group, said, “Dr. Lim’s extensive background in broadcast technology research and his experience in international standards development make him an excellent person to lead this important project.”

See the original post here: http://www.atsc.org/cms/index.php/communications/press-releases/257-atsc-begins-work-on-broadcast-standard-for-3d-tv-transmissions

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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