News Stories

Autostereo software maker claims breakthrough

[Philip Lelyveld comment: a new format for broadcasting to both 2D and autostereo displays.]

[Excerpt]

A Siberian-based developer has devised software which translates stereoscopic content in realtime, for viewing on glasses free displays. Triaxes Vision claims to have received interest from the Russian Federal government, BSkyB and the BBC.

Triaxes uses an algorithm that decodes the twin stereo pictures it receives into stereo pictures plus two depth (Z information) maps. Most other autostereo algorithms use just the one HD frame of 2D + depth.
“Our aim is to make a universal format compatible for 2D HD, with glasses and autostereo displays so that a broadcaster can transmit just the one channel and the picture will be decoded according to the display consumer’s have,” said Dmitry Bimatov, senior software developer at Triaxes. “With existing infrastructure you require three streams but the aim is to wrap them into one. We are talking with the Russian government about this, so that when they launch stereo 3D services they can transmit 3D content to the broadest number of viewers.”  …

Samsung, Sony, Panasonic dig in heels on active 3D with new standard

[Philip Lelyveld comment: this is an advance of an effort started and reported on a few months ago here.]

[Excerpt]

Three television manufacturers intend to create a new technology standard for 3D active glasses, targeted for use in the home. Panasonic, Samsung, and Sony will put the standard together in conjunction with active 3D glasses manufacturing company XPAND 3D, and are hoping that the new standard will foster wider adoption of the technology. The group will develop a set of system protocols that will allow 3D glasses and 3D televisions to be interchangeable among those brands, while providing backwards compatibility with 3D TVs they release in 2011.

The standard will include multiple types of infrared protocols, including some that were formerly proprietary to Samsung and Sony. Through the standard, the four companies are hoping to “widely introduce” active 3D glasses to the market.  …

Read the full story here: http://arstechnica.com/gadgets/news/2011/08/samsung-sony-panasonic-dig-in-heels-for-active-3d-with-new-standard.ars

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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