News Stories

Sony, Element Technica Partner on 3D Coverage of Sony Open

Sony cameras on Element Technica 3D rigs will be used to provide the Golf Channel’s 3D coverage of the Sony Open golf tournament from Waialae Country Club in Oahu, Hawaii this weekend.

Sony HDC-P1 cameras with HDFA-200 3G camera adapters will be in six Element Technica rigs, to cover four holes in 3D, marking one of the first uses of Element Technica’s Pulsar 3D rigs on a remote sports event production.

Sony’s new MPE-200 multi-image processor with the MPES-3D01 Stereo Image Processing Software will also be used to control the rigs, maintain camera alignment and provide correction for errors introduced in the camera chain, including image geometry and color matching. Sony’s MVS-8000G switcher with special 3D software and HDCAM SR decks will be used during the production and for pre-production of scenics for inclusion during the event. Sony 3D LUMA displays will be used for all evaluation monitoring. Sony’s MPE-200 processor will also be tested with Sony’s new MPES-2D3D 2D-to-3D conversion software.

Golf Channel 3D coverage will provide views from green 2 and the third and fourth holes, and green 16 and the 17th and 18th holes. Pulsars are designed for mid-sized cameras, such as the Sony P1s which are being used for this Golf Channel 3D coverage. The lighter weight Pulsar rigs, along with Canon 22X zoom lenses and Sony’s HDFA-200 2 Channel HD Camera Fiber Adapter, which feeds signals from both P1s on a single fiber optic cable as well as providing the camera operator intercom and monitoring functions, made slimming the 3D camera systems possible.

“We’ve now cut them down to the 40 pound range,” said Michael Rintoul, ET Senior Integration Specialist. “It’s all the same equipment, made them a lot more mobile, and it made them a lot more flexible in the way they can be used.” The Pulsars, in beam-splitter configuration, are being used for mounting on a pair of lightweight jibs and a Steadicam, and set up for the hand-held operator.

Two of ET’s large camera Quasar 3D rigs are mounted with Fujinon 42X lenses in side-by-side configuration, secured on heavy-duty Vinten Vector heads on Spider cranes that can be driven into position and raised to the desired elevation.

The 3D convergence operator for each 3D camera position incorporates ET’s Technica Hand Controller, which is fed through the Sony MPE-200 stereo image processor to control I/O (interocular, or distance between the two cameras in the stereo pair, which determines the intensity of the stereo image) and convergence (the toe in of the camera pair, which determines which part of the stereo image appears in front of the screen, at the screen, and behind the screen). The convergence workstations were built into fly-packs by VER for shipment to Hawaii for the production.

All Sony cameras are also being used for the 2D broadcast as well. NEP’s SS9 unit will be on-site for the event.

XPAND Partners With JTM Concepts To Offer 3D Learning In Multiple Languages

(Press Release) Further strengthening its leadership position in delivering the benefits of 3D to education applications, XPAND is partnering with 3D educational applications leader JTM Concepts to offer students across the globe interactive stereoscopic 3D lessons in eight different language packages. The lesson packages are available in English, French, Italian, German, Spanish, Latin Spanish, Portuguese and Brazilian Portuguese editions.

“As the first company to develop a modular 3D lesson program in multiple languages, XPAND is at the forefront of educational technology and is literally changing the way students around the world see their school assignments,” said Maria Costeira, CEO of XPAND. “Teaming up with JTM Concepts helps promote interactive, exciting and educational experiences that will keep students highly involved in their work.”

Multiple programs and lesson plans will be included in each language including, “Making Cubes,” The Solar System” and “Composite Solids-Volume.” Classroom3® promotes the enhancement of learning opportunities through 3D applications by providing students clear visualizations of concepts normally seen as difficult to comprehend by the average student. Partnering with XPAND, JTM Concepts’ technology will continue to grab and retain students’ attention.

For more information on JTM Concepts and Classroom3®, please visithttp://www.jtmconcepts.com/3d_classroom.cfm

For more information on XPAND, please visit http://www.xpandcinema.com

Original press release here: http://www.mynewsdesk.com/uk/view/pressrelease/xpand-xpand-partners-with-jtm-concepts-to-offer-3d-learning-in-multiple-languages-563329

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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