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Intel to unveil 3D-enabled chips in January

Excerpt:

While the move to ‘Core i’ series added high-definition playback to the company’s processors at the beginning of the year, the ‘Sandy Bridge’ chips will have built in 3D playback capacity. Currently, 3D playback — such as for films and games — requires the consumer to install special ‘graphics processors’ as Intel’s chips are not able to deal with the increased load on their own.

The move is expected to help Intel compete better with its arch-rival AMD — which four years ago acquired graphics processor firm ATI to come up with an integrated chip that had both the core processor and a powerful graphics unit in it.

The new AMD chips called ‘Fusion’ APUs or accelerated processing units started shipping last month and have received rave reviews from pundits and are seen as the fruition of AMDs ambitious takeover that nearly bankrupted the company.

Read the full story here: http://www.dnaindia.com/money/report_intel-to-unveil-3d-enabled-chips-in-january_1480827

James Cameron opens his 3D treasure box to India creative community

Mumbai: Renowned Hollywood filmmaker James Cameron offers 3D expertise to India.

He is all set to share his 3D treasure box with Indian directors interested in making a film based on one of the Indian epics.

He is ready to offer them the cameras and the special technology which he developed for “Avatar”.

Addressing the first day of the Innovation and Knowledge Conference in Lavasa on Friday, he stated “if there is an Indian director who’d like to make a film – it could be about the Ramayana or the Mahabharata.”

He said further, “We can offer the technology we’ve already developed, the 3D system and the digital 3D Fusion Camera (which Cameron co-developed).”

A marine explorer and a scuba enthusiast, Cameron is presently busy with his upcoming project “Avatar 2” which will be shot under the sea.

See the full story here: http://www.bollypatrika.com/2010/12/13/james-cameron-opens-his-3d-treasure-box/

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Specification for Naming VFX Image Sequences Released

ETC’s VFX Working Group has published a specification for best practices naming image sequences such as plates and comps. File naming is an essential tool for organizing the multitude of frames that are inputs and outputs from the VFX process. Prior to the publication of this specification, each organization had its own naming scheme, requiring custom processes for each partner, which often resulted in confusion and miscommunication.

The new ETC@USC specification focuses primarily on sequences of individual images. The initial use case was VFX plates, typically delivered as OpenEXR or DPX files. However, the team soon realized that the same naming conventions can apply to virtually any image sequence. Consequently, the specification was written to handle a wide array of assets and use cases.

To ensure all requirements are represented, the working group included over 2 dozen participants representing studios, VFX houses, tool creators, creatives and others.  The ETC@USC also worked closely with MovieLabs to ensure that the specification could be integrated as part of their 2030 Vision.

A key design criteria for this specification is compatibility with existing practices.  Chair of the VFX working group, Horst Sarubin of Universal Pictures, said: “Our studio is committed to being at the forefront of designing best industry practices to modernize and simplify workflows, and we believe this white paper succeeded in building a new foundation for tools to transfer files in the most efficient manner.”

This specification is compatible with other initiatives such as the Visual Effects Society (VES) Transfer Specifications. “We wanted to make it as seamless as possible for everyone to adopt this specification,” said working group co-chair and ETC@USC’s Erik Weaver. “To ensure all perspectives were represented we created a team of industry experts familiar with the handling of these materials and collaborated with a number of industry groups.”

“Collaboration between MovieLabs and important industry groups like the ETC is critical to implementing the 2030 Vision,” said Craig Seidel, SVP of MovieLabs. “This specification is a key step in defining the foundations for better software-defined workflows. We look forward to continued partnership with the ETC on implementing other critical elements of the 2030 Vision.”

The specification is available online for anyone to use.

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